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"The Yellow Wallpaper" (original title: "The Yellow Wall-paper. A Story ") is a short story by American writer Charlotte Perkins Gilman , first published in January 1892 in The New England Magazine . [ 1 ]
The Captive Imagination: A Casebook on "The Yellow Wallpaper" is an anthology of essays about Charlotte Perkins Gilman's 1892 short story The Yellow Wallpaper. Edited by Catherine Golden, it was published in 1992 by The Feminist Press . [ 1 ]
Charlotte Anna Perkins Gilman (/ ˈ ɡ ɪ l m ən /; née Perkins; July 3, 1860 – August 17, 1935), also known by her first married name Charlotte Perkins Stetson, was an American humanist, novelist, writer, lecturer, early sociologist, advocate for social reform, and eugenicist. [1]
The Forerunner was a monthly magazine produced by Charlotte Perkins Gilman (best known as the writer of "The Yellow Wallpaper"), from 1909 through 1916. During that time, she wrote all of every issue—editorials, critical articles, book reviews, essays, poems, stories, and six serialized novels.
Director Logan Thomas depends on his audience’s prior engagement with Charlotte Perkins Gilman’s short story “The Yellow Wallpaper” in his 2012 film of the same name. While the film is a clear departure from Gilman’s text, acting as the origin story of the author’s experience in writing the story, Thomas’ reliance on the viewers ...
"Why I Wrote the Yellow Wallpaper" from The Forerunner, Charlotte Perkins Gilman (1913) [167] A Short History of Women's Rights, From the Days of Augustus to the Present Time. With Special Reference to England and the United States, Eugene A. Hecker (1914) [168] La Rosa Muerta, Aurora Cáceres (1914) [169] To the Women of Kooyong, Vida ...
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Herland is a 1915 feminist utopian novel written by American feminist Charlotte Perkins Gilman. The book describes an isolated society composed entirely of women, who bear children without men (parthenogenesis, a form of asexual reproduction). The result is an ideal social order: free of war, conflict, and domination.