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Music accompanied by words can be classified under the following headings: Türkü (folksongs), Koşma (free-form folk songs about love or nature), Semai (folk song in Semai poetic form), Mani (a traditional Turkish quatrain form), Dastan (epic), Deyiş (speech), Uzun Hava (long melody), Bozlak (a folk song form), Ağıt (a lament), Hoyrat ...
A notable recording is that by Safiye Ayla from 1949. [4] During the time of recording, Ayla was also a member of the assembly at the Istanbul City Conservatory. [5] Classical composer Saygun included 'Variations on the Old Istanbul Folk Song Katibim (Varyasyonlar)' as the last part of his choral Op.22 Bir Tutam Kekik of 1943.
It is suggested that about a fifth of the Turkish population are Alevis, whose folk music is performed by a type of travelling bard or ozan called aşık, who travels with the saz or baglama, an iconic image of Turkish folk music. [21] These songs, which hail from the central northeastern area, are about mystical revelations, invocations to ...
List of Turkish Folk Music anonymous songs, songwriter uncertain (anonymous music), in accordance with the Turkish folk music (Turkish: Türk Halk Müziği) songs list.
Pages in category "Turkish folk songs" ... Turna (song) This page was last edited on 16 January 2021, at 01:52 (UTC). Text is available under the Creative ...
Fantezi is a Turkish classical music genre composed in Turkish pop music in accordance with the tradition of the Turkish people. Also called folk song or urban folk music, in its plural form is a Turkish music genre which has taken many forms over the years. Fantezi followed after the commercialization of Turkish classical music and Kanto music ...
Turkish folk songs (11 P) T. Turkish folk music instruments (2 C, 7 P) Pages in category "Turkish folk music" The following 3 pages are in this category, out of 3 total.
Hekimoğlu (English: The Ballad of Hekimoğlu) is a popular Turkish türkü (folk song) in the musical modal Chahargah with a rhythm of 4/4. Although the TRT archive lists Ümit Tokcan as the source under the repertoire number 110, Ümit Tokcan himself says that the folk song was actually compiled by Kadir İnanır.