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Hanging scrolls provide a vertical format to display art on walls. [3] [6] They are one of the most common types of scrolls for Chinese painting and calligraphy. [10] They are made in many different sizes and proportions. [5] Horizontal hanging scrolls are also a common form. [10] Hanging scrolls are different from the handscrolls.
Chinese Manichaeism, also known as Monijiao (Chinese: 摩尼教; pinyin: Móníjiào; Wade–Giles: Mo 2-ni 2 Chiao 4; lit. 'religion of Moni') or Mingjiao (Chinese: 明教; pinyin: Míngjiào; Wade–Giles: Ming 2-Chiao 4; lit. 'religion of light or 'bright religion'), is the form of Manichaeism transmitted to and currently practiced in China.
Sermon on Mani's Teaching of Salvation (Chinese: 冥王聖幀; lit. 'Sacred Scroll of the King of the Underworld') is a Yuan dynasty silk hanging scroll, measuring 142 × 59 centimetres and dating from the 13th century, with didactic themes: a multi-scenic narrative that depicts Mani's Teachings about the Salvation combines a sermon subscene with the depictions of soteriological teaching in ...
The Diagram of the Universe cannot be construed as a Chinese version of Mani's Book of Pictures, since picture books and hanging scrolls coexisted in both Uyghur and southern Chinese Manichaeism. There is no evidence that the monumental vertical design of East Asian hanging scrolls replaced the traditional small-scale horizontal layout of West ...
Eight silk hanging scrolls with Manichaean didactic images from southern China from between the 12th and the 15th centuries, which can be divided into four categories: Two single portraits (depicting Mani and Jesus) Icon of Mani; Manichaean Painting of the Buddha Jesus; One scroll depicting Salvation Theory (Soteriology)
Their bright orange robes and Feiyue sneakers stand in contrast to the earthen wall behind them. The blurred back of a man on the left side of the image highlights the sharp movement at its center.
Diyu (traditional Chinese: 地獄; simplified Chinese: 地狱; pinyin: dìyù; lit. 'earth prison') is the realm of the dead or "hell" in Chinese mythology.It is loosely based on a combination of the Buddhist concept of Naraka, traditional Chinese beliefs about the afterlife, and a variety of popular expansions and reinterpretations of these two traditions.
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