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The usage of fingernails, or pipa plectrums, allows pipa techniques—such as the tremolo—to be applied to the sanxian, as well as the performance of works traditionally written for the pipa. Other techniques for sanxian include the use of harmonics and hitting the skin of the instrument with the plectra or fingernail (comparable to the ...
The main part of the music is played in a rapid manner, utilising a variety of pipa techniques to describe the furious battle between the armies of Chu and Han, such as flipping, sweeping, circular fingering, wringing, rolling, and halting. The last few sections of the music depict Xiang Yu's defeat, then his suicide beside the Wujiang River.
During the Song dynasty, pipa fell from favour at the imperial court, perhaps a result of the influence of neo-Confucian nativism as pipa had foreign associations. [26] However, it continued to be played as a folk instrument that also gained the interest of the literati. [22] The pipa underwent a number of changes over the centuries.
Re-enactment of an ancient traditional music performance A mural from the tomb of Xu Xianxiu in Taiyuan, Shanxi province, dated 571 AD during the Northern Qi Dynasty, showing male court musicians playing stringed instruments, either the liuqin or pipa, and a woman playing a konghou (harp) Huqin – family of vertical fiddles
Pipa. This instrument appeared two thousand years ago. Pipa is a general name. Playing the instruments with the hand forward or backward controls whether the sound is pi or pa. [3] In Tang dynasty, pipa was popular in the palace. Emperors as well as ordinary families all played pipa in daily life. Many paintings of that time show the pipa.
Wu Man (Chinese: 吴 蛮; pinyin: Wú Mán; born January 2, 1963) [1] is a Chinese pipa player and composer. Trained in Pudong-style pipa performance at the Central Conservatory of Music in Beijing, she is known for playing in a broad range of musical styles and introducing the pipa and its Chinese heritage into Western genres.
In the YouTube video, Kai revealed that she and her cousin, now 18, used to play hide-and-seek together in the grounds of the the president's official residence.
Lute Song is a 1946 American musical with a book by Sidney Howard and Will Irwin, music by Raymond Scott, and lyrics by Bernard Hanighen.It is based on the 14th-century Chinese play Tale of the Pipa (Pi-Pa-Ji) by Gao Ming. [1]