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Seemingly open onto the gardens, the drawing room floor is located above a ground floor that overlooks, on the Versailles side, a small rectangular courtyard of honor rounded at the corners, [68] redesigned in Marie-Antoinette's time, framed by a small wall and a hedge of hornbeams and closed by a soft green gate flanked by two sentry boxes. [69]
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A mirror reflecting the image of a vase A first-surface mirror coated with aluminium and enhanced with dielectric coatings. The angle of the incident light (represented by both the light in the mirror and the shadow behind it) exactly matches the angle of reflection (the reflected light shining on the table). 4.5-metre (15 ft)-tall acoustic mirror near Kilnsea Grange, East Yorkshire, UK, from ...
Unusually for hotels of the time, each bedroom had its own bathroom, with a shower, hot and cold water, and electric lights. [6] Except for bookshelves and fireplace mantels, the units were otherwise unfurnished. [5] [70] By the 2000s, the rooms had black-and-white wallpaper with framed cartoons from The New Yorker magazine. [71]
Art Deco rejected traditional materials of decoration and interior design, opting instead to use more unusual materials such as chrome, glass, stainless steel, shiny fabrics, mirrors, aluminium, lacquer, inlaid wood, sharkskin, and zebra skin. [34] The use of harder, metallic materials was chosen to celebrate the machine age.
The mirror is a perfectly defined unbroken pale rectangle within a broad black rectangle. A clear geometric shape, like a lit face, draws the attention of the viewer more than a broken geometric shape such as the door, or a shadowed or oblique face such as that of the little person in the foreground or that of the man in the background.