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Duke Orsino is the noble Duke of Illyria. He is a powerful nobleman who is trustworthy and kind to everyone he meets. As a bachelor, Orsino is in love with the beautiful Lady Olivia, and he constantly compares his love for her with music. Duke Orsino is a man with high romantic imagination and is a melancholy lover.
She has lost contact with her twin brother, Sebastian, who she believes has drowned, and with the aid of the Captain, she disguises herself as a young man named Cesario and enters the service of Duke Orsino. Orsino has convinced himself he is in love with Olivia, who is mourning her brother's recent death.
The plot focuses on mistaken identity. Masquerading as a young page named Cesario, Viola enters the service of Duke Orsino, who is in love with Olivia. When she rejects his romantic advances, Orsino decides to use Cesario as an intermediary. Olivia, believing Cesario to be a man, falls in love with the attractive messenger. Viola, in turn ...
Orsino is madly infatuated with Countess Olivia (Helena Bonham Carter), who is in mourning due to her brother's recent death. She uses the tragedy as an excuse to avoid seeing the Duke, whom she does not love. He sends "Cesario" to do his wooing and Olivia falls in love with the messenger, unaware of "Cesario"'s real gender.
Orsino finds Olivia in the embrace of Sebastian. Viola now appears before the Duke as herself -a sweet and attractive girl. She tells him of her impersonation of her brother and the page. Orsino is so struck by her beauty and cleverness that he declares his love for her and asks her to become his wife. Each one comes into his own. "All's well ...
Olivia is a beautiful lady of noble birth who lives in Illyria.Before the play begins, she lost her brother, her guardian, after her father died. This loss has made her grief-stricken and she has refused to see anyone who does not reside in her household and declared that she will be in mourning for seven years (The element itself, till seven years' heat, Shall not behold her face at ample view).
Regardless, she has become the symbol of The Woman Who Lies and Ruins Men's Lives. This is a common cultural trope that says women lie about being raped because it will make them famous or get ...
In the mid-19th century Frederick Richard Pickersgill painted a few scenes, including: in Act 1, Scene 4 after the character Viola is shipwrecked, when she cross-dresses as Cesario, enters the service of Duke Orsino as his page and falls in love with him; and in Act 3, Scene 1 when Olivia declares her love for Cesario (1859 painting). [4]