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Raja Balwant Singh examining a painting with Nainsukh, 1745–1750, Rietberg Museum. Raja Balwant Singh making a Hindu puja, c. 1750 Raja Dhrub Dev assesses a horse; it was usual for horses to be shown off in front of a white sheet, to better appreciate their form. Nainsukh (lit. ' Joy of the Eyes '; c. 1710 [1] – 1778) was an Indian painter.
Raja Balwant Singh’s Vision of Krishna and Radha by Nainsukh. Jasrota, c. 1745-1750. Metropolitan Museum of Art. The Kangra art style originated in Guler State, a small hill princely state in the Lower Himalayas in the first half of the 18th century when a family of Kashmiri painters trained in the Mughal painting style sought shelter at the court of Raja Dalip Singh (r. 1695–1741) of Guler.
Art from Jodhpur, also known as the Marwar style, is defined by large thick eyes on well-defined physical features. [40] The Kishangarh artists championed the Bani-Thani figures, that is the perfect model of womanhood, and were inspired by Raja Sawant Singh. [41] A unique lyricism, elegance and rhythm characterise these masterpieces.
Guler State is famous as the birthplace of Kangra painting when in the first half of the 18th century, a family of Kashmiri painters trained in the Mughal painting style sought shelter at the court of Raja Dalip Singh (r. 1695–1741) of Guler. The rise of Guler Paintings or Guler style started what is known as the early phase of Kangra art. [3]
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Radha-Krishna theme, from the Gita Govinda in Pahari style, Garhwal sub-school. Pahari painting (lit. ' a painting from the mountainous regions, pahar meaning a mountain in Hindi ') is an umbrella term used for a form of Indian painting, done mostly in miniature forms, originating from the lower Himalayan hill kingdoms of North India, during the early 17th to mid 19th century, notably Basohli ...
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English: Chitralekha, by Raja Ravi Varma. 50 x 35 cm, The Hemamalini and Ganesh Shivaswamy collection, Bengaluru. Print from the Ravi Varma Press derived from a painting by Raja Ravi Varma depicts an incident in the Bhagavata. The central figure is Usha, the daughter of Banasura who dreams of a prince, Aniruddha, the grandson of Krishna.