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Sing Unto God (also known as the Anthem for the Wedding of Frederick, Prince of Wales and Princess Augusta of Saxe-Gotha) (HWV 263), is an anthem composed by George Frideric Handel. It was performed for the royal wedding on 27 April 1736 at the Chapel Royal in St James's Palace , London with Francesca Cuzzoni -Sandoni, Carlo Broschi "Farinelli ...
Instrumental music for the revival of Ben Jonson's play The Alchemist. An arrangement, by an anonymous composer, of music from Handel's opera Rodrigo. 44 Comus: June 1745 Ludlow Castle, Shropshire Three songs and a trio written as part of a private arrangement of John Milton's masque Comus. [2] 45 Alceste: Not performed
During his stay, Handel composed anthems which became known as the Chandos Anthems, for use in Anglican church services. Brydges had a chapel built, but it was still under construction when Handel composed the pieces, and was completed in 1720. Therefore, the court services were held at the parish church St Lawrence in Whitchurch. [3]
The German-born Handel had been resident in London since 1712 and had there achieved great success as a composer of Italian operas. He had also enjoyed the patronage of monarchs Queen Anne, George I and George II and other members of the royal family and had been commissioned by them to compose numerous pieces of music for worship services in the royal chapels as well as for other royal ...
He was certainly devoted to Handel's music, having helped to finance the publication of every Handel score since Rodelinda in 1725. [24] By 1741, after their collaboration on Saul, a warm friendship had developed between the two, and Handel was a frequent visitor to the Jennens family estate at Gopsall. [21]
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(Reuters) -U.S. President-elect Donald Trump said in an interview aired on Sunday he will not try to replace Federal Reserve Chair Jerome Powell upon taking office in January. Trump added that he ...
George Frideric Handel's operas comprise 42 musical dramas that were written between 1705 and 1741 in various genres.Though his large scale English language works written for the theatre are technically oratorios and not operas, several of them, such as Semele (1744), have become an important part of the opera repertoire.