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The Undiscovered Country was released on VHS and in widescreen and full screen formats on Laserdisc in June 1992; [78] the release added a few minutes of new footage to the film. [79] Because of a trend in supermarket video sales and rentals, Paramount offered rebates for the home video release of The Undiscovered Country through boxes of ...
Film titles of the North American and UK releases of the films no longer contained the number of the film following the sixth film (the sixth was Star Trek VI: The Undiscovered Country but the seventh was Star Trek Generations). However, European releases continued using numbers in the film titles until Nemesis.
General Chang is the central antagonist in Star Trek VI: The Undiscovered Country, a feature film released in 1991. [1]Chang, who is portrayed by Christopher Plummer, is Chancellor Gorkon's chief of staff and subsequently serves Chancellor Azetbur in 2293.
Rura Penthe is the name of a fictional penal colony in the following works: . A penal colony island in the 1954 Disney film 20,000 Leagues Under the Sea; A Klingon penal planetoid in the Star Trek universe, featured in:
The Undiscovered Country (1991) Generations (1994) [prologue] "Flashback" (1996) [flashback taking place within The Undiscovered Country] 2298–2364 The Lost Era novels 2333–2355 10000–32999 Stargazer novels 2354–2381 31000–58999 New Frontier novels 2364 41000–41999 The Next Generation season 1 (1987–1988)
His breakthrough composition was the 1991 score to Star Trek VI: The Undiscovered Country. [2] In the years after, Eidelman continued to compose dramatic and epic scores such as Christopher Columbus: The Discovery. [3] As Eidelman's style of composing changed towards more sentimental and minimalistic scores, so did the films for which he scored.
[9] Craig Lysy of Movie Music UK wrote "Eidelman correctly interprets the film’s dark narrative, perfectly attenuates his music to the film’s imagery and demonstrates compelling mastery of his craft. His expert interplay between seven themes, use of instruments and tonal coloring all join in a wondrous synergy to yield a magnificent musical ...
It established him as an A-list Hollywood composer. Director Nicholas Meyer quipped that Horner was hired because the studio could no longer afford the first Trek movie's composer, Jerry Goldsmith; but that by the time Meyer returned to the franchise with Star Trek VI: The Undiscovered Country, the studio could not afford Horner either. [19]
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