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Other hymn versions of the Lord's Prayer from the 16th and 20th-century have adopted the same tune, known as "Vater unser" and "Old 112th". [5] The hymn was published in Leipzig in 1539 in Valentin Schumann's hymnal Gesangbuch, [5] with a title explaining "The Lord's Prayer briefly expounded and turned into metre". It was likely first published ...
"The Lord's Prayer" is a pop rock setting of the Lord's Prayer with music by Arnold Strals recorded in 1973 by the Australian nun Sister Janet Mead. [1] [2] Mead was known for pioneering the use of contemporary rock music in celebrating the Roman Catholic Mass and for her weekly radio programs. [3]
"The Lord's Prayer" is a musical setting of the biblical Lord's Prayer, composed by Albert Hay Malotte in 1935, and recorded by many notable singers. According to his New York Times obituary: "Mr. Malotte's musical setting of 'The Lord's Prayer' was the first one that achieved popularity, although the prayer had been set to music many times before."
Martin Luther wrote "Vater unser im Himmelreich" based on The Lord's Prayer.Each verse of the hymn is used to elaborate on the requests in the Lord's Prayer to God. [2] It was first published in 1539 in the Geistliche Lieder hymn book by Valentin Schumann and set to the tune of "Vater Unser" by an unknown composer.
Another familiar doxology is the one often added at the end of the Lord's Prayer: "For thine is the kingdom, and the power, and the glory, forever and ever, Amen." This is found in manuscripts representative of the Byzantine text of Matthew 6:13, but not in the manuscripts considered by Catholics to be the most reliable. According to Scrivener ...
In the Byzantine Rite, whenever a priest is officiating, after the Lord's Prayer he intones this augmented form of the doxology, "For thine is the kingdom and the power and the glory: of the Father, and of the Son, and of the Holy Spirit, now and ever, and unto ages of ages.", [k] and in either instance, reciter(s) of the prayer reply "Amen".
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The reformer Martin Luther, a prolific hymnodist, regarded music and especially hymns in German as important means for the development of faith.. Luther wrote songs for occasions of the liturgical year (Advent, Christmas, Purification, Epiphany, Easter, Pentecost, Trinity), hymns on topics of the catechism (Ten Commandments, Lord's Prayer, creed, baptism, confession, Eucharist), paraphrases of ...