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Look was a biweekly, general-interest magazine published in Des Moines, Iowa, from 1937 to 1971, with editorial offices in New York City. It had an emphasis on photographs and photojournalism in addition to human interest and lifestyle articles.
In 1956, Look magazine's Arthur Rothstein supported his earlier opinion that Wong borrowed the baby and staged the photograph. [30] In 1975, Life magazine featured the famous photo in a picture book, and wrote in the caption, "It has been said that this is staged, but it is evident from various points that this is no more than a fabricated ...
This is a list of online newspaper archives and some magazines and journals, including both free and pay wall blocked digital archives. Most are scanned from microfilm into pdf , gif or similar graphic formats and many of the graphic archives have been indexed into searchable text databases utilizing optical character recognition (OCR) technology.
Image credits: Old-time Photos To learn more about the fascinating world of photography from the past, we got in touch with Ed Padmore, founder of Vintage Photo Lab.Ed was kind enough to have a ...
The Ladder (1956–1970) Ladies' Home Journal of Philadelphia [5] Ladies' Magazine ( –1836) LAN Times (1988–1997) Land and Liberty (ca.1914–ca.1915) Latin Girl, Latin Girl Magazine (1999–2001) [citation needed] Left and Right: A Journal of Libertarian Thought (1965–1968) Legion of Doom Technical Journals (ca.1980–ca.2000) The ...
An Army Magazine article from 1956 was circulating on Twitter recently, and it predicted what the soldier of the future would look like.
Vachon became a staff photographer for Life magazine, where he worked between 1947 and 1949, and for over twenty five years beginning in 1947 at Look magazine. In 1953 Vachon took the first pictures of Marilyn Monroe and Joe DiMaggio when Monroe cured a sprained ankle near Banff, Canada. With Look closed, he had continued to work as often as he ...
In 1951, Tretick's were among the Korean War photos in the exhibit "Korea—The Impact of War" at the Museum of Modern Art in New York. [3] His photo of a soldier crumpled with despair and holding his muddy face in his hands was selected by Military Times as one of the one hundred most-enduring images captured in combat.