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Jean-François Millet (French pronunciation: [ʒɑ̃ fʁɑ̃swa milɛ]; 4 October 1814 – 20 January 1875) was a French artist and one of the founders of the Barbizon school in rural France. Millet is noted for his paintings of peasant farmers and can be categorized as part of the Realism art movement .
Jean-François Millet was raised in the area of France known as the old province of Normandy. He was brought up with hard out-of-door labor. After studying to become a painter, he devoted his art to illustrating peasants farming the land. His subjects were often taken from his surroundings or from memories from his youth. [2]
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Millet's The Gleaners was preceded by a vertical painting of the image in 1854 and an etching in 1855. Millet unveiled The Gleaners at the Salon in 1857. It immediately drew negative criticism from the middle and upper classes, who viewed the topic with suspicion: one art critic, speaking for other Parisians, perceived in it an alarming intimation of "the scaffolds of 1793."
[3] The Man with a Hoe was the last painting of Millet's so-called "radical" era, which began with The Sower (1850). [ 3 ] After the initial shock of the new, Man with a Hoe lived a quiet life until the 1880s when it re-emerged as a star of three major French exhibitions including the art show at the 1889 World's Fair in Paris.
The Angelus (French: L'Angélus) is an oil painting by French painter Jean-François Millet, completed between 1857 and 1859.. The painting depicts two peasants bowing in a field over a basket of potatoes to say a prayer, the Angelus, that together with the ringing of the bell from the church on the horizon marks the end of a day's work.
Pages in category "Paintings by Jean-François Millet" The following 13 pages are in this category, out of 13 total. This list may not reflect recent changes. A.
No. 32A SHEPHERDESS BY JEAN FRANCOIS MILLET No. 32 JEAN FRANCOIS MILLET FRENCH (1814-1875) A SHEPHERDESS An intimate study of the life of a young peasant girl, whose time fromdawn to dark is passed in watching sheep, who looks forward to nothingbetter, save, perhaps, to becoming the wife of some peasant and to exchangethe exclusion of the ...
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