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The Cathedral of Light or Lichtdom was a main aesthetic feature of the Nazi Party rallies in Nuremberg from 1934 to 1938. Designed by architect Albert Speer , it consisted of 152 anti-aircraft searchlights , at intervals of 12 metres, aimed skyward to create a series of vertical bars surrounding the audience.
Along with his plans for the Welthauptstadt Germania ("world capital Germania"), Albert Speer made the plans for the world's largest stadium which was to be located on the rally grounds. Derived from the Panathenaic Stadium of Athens , [ 7 ] it would have offered 400,000 seats in a horseshoe shape; planned dimensions: length: 800 m, width: 450 ...
Speer also used lighting to highlight the architecture—and present Hitler in an impressive way—with "130 aircraft searchlights" arranged around and above the stadium. [7] Speer's so-called "Cathedral of Light," or Lichtdom, was a key feature of the events, and has been described as the "single most dramatic moment of the Nazi Party rallies."
Following Adolf Hitler and the Nazi Party’s seizure of power in Germany in 1933, they began staging massive and intimidating annual rallies in Nuremberg.
The Cathedral of Light above the Zeppelintribune When Troost died on 21 January 1934, Speer effectively replaced him as the Party's chief architect. Hitler appointed Speer as head of the Chief Office for Construction, which placed him nominally on Hess' staff.
This is where Speer had created the "cathedral of light" and where the Nazis drew nearly a million people in rallies between 1933 and 1938. These were captured on film by Leni Riefenstahl in Triumph of the Will .
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The Cathedral of Lights at the 1936 Nuremberg Party Rally. Nazi architecture was designed to make the individual feel small and insignificant through its use of high ceilings. For example, at Nuremberg rallies , the feeling produced by the use of massed groups coupled with the architecture of the Zepplintribune architecture was to create wonder ...