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"One More Night" is a song performed by American pop rock band Maroon 5. The song was released on June 19, 2012, as the second single from their fourth studio album Overexposed (2012). It was written by Adam Levine, Shellback, Max Martin, and Savan Kotecha, while production was handled by Shellback and Martin. It is a reggae-influenced pop song.
One More Night" was Phil Collins' second U.S. No. 1 single, [9] following "Against All Odds", and was his fourth single to reach the top ten in the UK, peaking at No. 4 on the UK Singles Chart. In the U.S., the single entered the Billboard Hot 100 at number 50 on the chart dated 9 February 1985. It hit number one seven weeks later and remained ...
"One More Night" is a pop ballad performed by German singer Sandra. The song was written by Michael Cretu, Klaus Hirschburger and Frank Peterson, and produced by Cretu. It was released as the third and final single from Sandra's fourth studio album, Paintings in Yellow, in September 1990. The single also includes the song The Journey. [1]
"One More Night", by Jordan Knight from Unfinished This page was last edited on 20 February 2022, at 17:07 (UTC). Text is available under the Creative Commons ...
One More Night (Radio Edit) 3:43; One More Night (Dan Winter Remix) 6:05; One More Night (Club Mix) 5:36; One More Night (Wild Ace Club Mix) 7:21; One More Night (Wild Ace Radio Mix) 4:07; Unofficial remixes include, but are not limited to. One More Night (Mike Wind Vs. DJ Roxx Remix) 7:01; One More Night (DJ Money Mix) (Feat. Lil' Wayne ...
Anwar first read "Aku" at the Jakarta Cultural Centre in July 1943. [1] It was then printed in Pemandangan under the title "Semangat" ("Spirit"); according to Indonesian literary documentarian HB Jassin, this was to avoid censorship and to better promote the nascent independence movement. [2] "
The song was first performed on October 19, 1971, by the Grateful Dead. Aside from Ace, it also appeared on the Dead's Europe '72 live album. After 1972, it became a regular part of the Dead's repertoire, and as might be expected, was frequently heard on Saturday shows; with its short, compact form and energetic crescendoes, it was a popular break from some of the Dead's more challenging pieces.
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