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Plato's allegory of the cave by Jan Saenredam, according to Cornelis van Haarlem, 1604, Albertina, Vienna. Plato's allegory of the cave is an allegory presented by the Greek philosopher Plato in his work Republic (514a–520a, Book VII) to compare "the effect of education (παιδεία) and the lack of it on our nature".
The second chapter, entitled "The Classic Man-Eaters", explores the accounts of cannibalism produced by European colonialists and travellers in the Americas during the Early Modern era. It begins by documenting the Spanish interaction with the Carib people of the Lesser Antilles, first begun by Christopher Columbus and his men in the 1490s.
As a young man, Plato encountered debates in the circles around Anaxagoras and Socrates over whether Homer's poems contained allegories. [8] Plato refers to these debates and made allegories and the nature of allegory a prominent theme in his dialogues. [9] He uses many allegorical devices and explicitly calls attention to them.
Odysseus removing his men from the company of the lotus-eaters. In Greek mythology, lotophages or the lotus-eaters (Ancient Greek: λωτοφάγοι, romanized: lōtophágoi) were a race of people living on an island dominated by the lotus tree off coastal Libya (Island of Djerba), [1] [2] a plant whose botanical identity is uncertain.
They were shown as being mean, growling beasts, and as insatiable man-eaters that could smell the scent of human flesh. Some of the more ferocious ones were shown with flaming red eyes and hair, drinking blood with their cupped hands or from human skulls (similar to representations of vampires in later Western mythology).
Maneater or man-eater may refer to: Man-eating animal , an individual animal or being that preys on humans as a pattern of hunting behavior Man-eating plant , a fictional form of carnivorous plant large enough to kill and consume a human or other large animal
The word grotto comes from Italian grotta, Vulgar Latin grupta, and Latin crypta ("a crypt"). [2] It is also related by a historical accident to the word grotesque.In the late 15th century, Romans accidentally unearthed Nero's Domus Aurea on the Palatine Hill, a series of rooms, decorated with designs of garlands, slender architectural framework, foliage, and animals.
This metaphor can take various forms, some more deterministic than others, and has also been formulated in different fashions, such as the world as chess game by the Persian philosopher Omar Khayyam. In each formulation of the theatrum mundi, though, the world is a sum greater than its parts, where various roles are played by different actors.