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Edvard Grieg's Piano Sonata in E minor, Op. 7 was written in 1865 when he was 22 years old. [1] The sonata was published a year later and revised in 1887. The work was Grieg's only piano sonata and it was dedicated to the Danish composer Niels Gade. The sonata has four movements with the following tempo markings: Allegro moderato; Andante molto
E minor is a minor scale based on E, consisting of the pitches E, F ♯, G, A, B, C, and D. Its key signature has one sharp , on the F. Its relative major is G major and its parallel major is E major .
Piano Sonata in E minor, D 566 (Schubert) Piano Sonata in E minor, D 769A (Schubert) Piano Sonata No. 10 (Prokofiev) Piano Sonata No. 27 (Beethoven) Piano Trio No. 2 (Saint-Saëns) Piano Trio No. 2 (Shostakovich) Piano Trio No. 4 (Dvořák) Prelude and Fugue in E minor, BWV 548; Prelude and Fugue in E minor, BWV 855; Prelude in E minor, Op. 11 ...
A minor major seventh chord, or minor/major seventh chord (also known as the Hitchcock Chord) is a seventh chord composed of a root, minor third, perfect fifth, and major seventh (1, ♭ 3, 5, and 7). It can be viewed as a minor triad with an additional major seventh. When using popular-music symbols, it is denoted by e.g. m (M7). For example ...
In music, a minor seventh chord is a seventh chord composed of a root note, a minor third, a perfect fifth, and a minor seventh (1, ♭ 3, 5, ♭ 7). In other words, one could think of it as a minor triad with a minor seventh attached to it. [2] For example, the minor seventh chord built on A, commonly written as A− 7, has pitches A-C-E-G:
For example, the interval from A 3 to G 4 is a minor seventh, as the note G 4 lies ten semitones above A 3, and there are seven staff positions from A 3 to G 4. Diminished and augmented sevenths span the same number of staff positions, but consist of a different number of semitones (nine and twelve, respectively).
The terms and symbols for this chord break expectations that derive from the usual system of chord nomenclature. Normally a symbol like "Bdim" indicates a diminished triad and "B 7" indicates a major triad plus a minor seventh. Thus, one would expect the term "Bdim 7" to indicate a diminished triad plus a minor seventh.
Example 1: Below, a common voicing used by jazz pianists is given for the chord C 7 ♯ 9 (C major chord with a minor 7th, and extended with an augmented 9th). In the lower stave the notes E ♮ and B ♭ are given. These form a tritone which defines the dominant sound, and are the major 3rd and minor 7th of the C 7 ♯ 9 chord.
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