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Cinema 2: The Time-Image (French: Cinéma 2, L'image-temps) (1985) is the second volume of Gilles Deleuze's work on cinema, the first being Cinema 1: The Movement-Image (French: Cinéma 1. L'image-mouvement) (1983). Cinema 1 and Cinema 2 have become to be known as the Cinema books, and are complementary and interdependent texts.
Gilles Louis René Deleuze (/ d ə ˈ l uː z / də-LOOZ; French: [ʒil dəløz]; 18 January 1925 – 4 November 1995) was a French philosopher who, from the early 1950s until his death in 1995, wrote on philosophy, literature, film, and fine art.
L'image-mouvement) (1983) is the first of two books on cinema by the philosopher Gilles Deleuze, the second being Cinema 2: The Time Image (French: Cinéma 2. L'image-temps ) (1985). Together Cinema 1 and Cinema 2 have become known as the Cinema books, the two volumes both complementary and interdependent. [ 1 ]
Dialogues (French: Dialogues) is a 1977 book in which Gilles Deleuze examines his philosophical pluralism in a series of discussions with Claire Parnet. It is widely read as an accessible and personable introduction to Deleuze's philosophy along with Negotiations. The book contains an exposition of Deleuze's concepts and methodologies in which ...
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Unhappy with the treatment of Franz Kafka’s work by scholars, Deleuze and Guattari wrote Kafka: Toward a Minor Literature in order to attack previous analyses of Kafka which they saw as limiting him either "by oedipalizing and relating him to mother-father narratives—or by trying to limit him to theological-metaphysical speculation to the detriment of all the political, ethical, and ...
No two snowflakes are alike G enerations of primary school children have attempted to simulate nature in their classrooms in the run up to Christmas. They carefully cut out circles of white paper, fold them into halves, quarters and even eighths. They eagerly snip away at the edges with safety conscious round-ended scis - sors.
Deleuze suggests that, unlike Hegel, he creates concepts out of a joyful and creative logic that resists the dualism of dialectic: "I make, remake and unmake my concepts along a moving horizon, from an always decentered centre, from an always displaced periphery which repeats and differentiates them" (xxi).