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"Their little souls to the angels flew...." Obituary poetry, in the broad sense, includes poems or elegies that commemorate a person's or group of people's deaths.. In its stricter sense, though, it refers to a genre of popular verse or folk poetry that had its greatest popularity in the nineteenth century, especially in the United States of America.
The poem was adapted as the lyrics in the song "Prayer" by Lizzie West. The last four lines of the poem were recited among others in Getting Over It with Bennett Foddy. The poem is read by Lisa (played by Kerry Godliman), the dying wife of lead character Tony (played by Ricky Gervais) in the final episode of the Netflix series After Life.
The first page of Ulalume, as the poem first appeared in the American Review in 1847 "Ulalume" (/ ˈ uː l ə l uː m /) is a poem written by Edgar Allan Poe in 1847. Much like a few of Poe's other poems (such as "The Raven", "Annabel Lee", and "Lenore"), "Ulalume" focuses on the narrator's loss of his beloved due to her death.
[a] Sometimes they are written in the three-line, seventeen-syllable haiku form, although the most common type of death poem (called a jisei 辞世) is in the waka form called the tanka (also called a jisei-ei 辞世詠) which consists of five lines totaling 31 syllables (5-7-5-7-7)—a form that constitutes over half of surviving death poems ...
This is a list of words and phrases related to death in alphabetical order. While some of them are slang, others euphemize the unpleasantness of the subject, or are used in formal contexts. Some of the phrases may carry the meaning of 'kill', or simply contain words related to death. Most of them are idioms
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"Sonnet X", also known by its opening words as "Death Be Not Proud", is a fourteen-line poem, or sonnet, by English poet John Donne (1572–1631), one of the leading figures in the metaphysical poets group of seventeenth-century English literature. Written between February and August 1609, it was first published posthumously in 1633.
The poem was widely anthologised and frequently illustrated in books of Victorian poetry, including an etching by Sir John Everett Millais in 1858. It was also set to music by Reinhold Ludwig Herman (1849–1919). Along with Hood's other notable serious poem, "The Song of the Shirt", it influenced several Victorian artists.