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Some of the Echoes were offered the job of playing in the band for Hair, at The Shaftesbury Theatre in London's West End, when it opened on 27 September 1968. Woolf, Hodgeson, Bennett plus the brass section left the Echoes to play in the band for Hair. Later Bennett became musical director for the Hair touring company.
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The Echoes were a vocal trio from Queens, New York City, most famous for their 1961 hit single "Baby Blue". The group was composed of Tommy Duffy, Harry Boyle, and Tom Morrissey. [3] [4] The three had been members of the Laurels. [3] The Echoes' first single, "Baby Blue", was a major hit, reaching No. 12 on the Billboard Hot 100. [5]
Bandstand is an Australian live pop music, variety television program screened from November 1958 to June 1972. Featuring both local and international music artists, and produced in-house at the studios of the Nine Network in Willoughby, New South Wales, it was originally broadcast only in New South Wales, It became a national program in the early 1960s as the network expanded into other ...
The hotel opened in 1963. [1] By the mid-1960s, it had gained "an international reputation for its intimacy and attention", and became popular with entertainers. [1] The hotel "became the unofficial home of the Australian music industry" during the 1970s and 1980s, and a location where Australian artists were able to meet with notable musicians staying at the hotel. [1]
Top 25 singles of 1963 < 1962 1964 > Other Australian top charts for 1963 top 25 albums Australian number-one charts of 1963 albums singles The following lists the top 25 (end of year) charting singles on the Australian Singles Charts, for the year of 1963. These were the best charting singles in Australia for 1963. The source for this year is the "Kent Music Report", known from 1987 onwards ...
Lonnie Liston Smith Jr. (born December 28, 1940) [1] is an American jazz, soul, and funk musician who played with such jazz artists as Pharoah Sanders and Miles Davis before forming Lonnie Liston Smith and the Cosmic Echoes, recording a number of albums widely regarded as classics in the fusion, smooth jazz and acid jazz genres.
At the Sydney concert, Peter Trotter, playing saxophone for Mental As Anything, collapsed on stage and died a week later. [2] [4] [10] The tour had a budget of $3.25 million, [4] and was announced with claims of Australian mateship and cooperation; however arguments ensued between various band managers over the proposed concert series film.