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Many sashiko patterns were derived from Chinese designs, but just as many were developed by native Japanese embroiderers; for example, the style known as kogin-zashi, which generally consists of diamond-shaped patterns in horizontal rows, is a distinctive variety of sashiko that was developed in Aomori Prefecture.
A section of kumo shibori (spider shibori) dyed with indigo, next to kumo shibori that has not been dyed yet. Shibori (しぼり/絞り, from the verb root shiboru – "to wring, squeeze or press" [1]: 7 ) is a Japanese manual tie-dyeing technique, which produces a number of different patterns on fabric.
Kasuri (絣) is the Japanese term for fabric that has been woven with fibers dyed specifically to create patterns and images in the fabric, typically referring to fabrics produced within Japan using this technique. It is a form of ikat dyeing, traditionally resulting in patterns characterized by their blurred or brushed appearance. [1]
The main elements of the garment has a simple sewing pattern, sometimes described as a four-panel hakama, again owing to similar origins. It is made up of a front and back panel, and two side panels. There is an open side on each hip, and a total of four straps at the corners of the hips, almost identical to ones used for securing Hakama, himo ...
Ise katagami (伊勢型紙) is the Japanese craft of making paper stencils for dyeing textiles (katagami (型紙)). It is designated one of the Important Intangible Cultural Properties of Japan. The art is traditionally centered on the city of Suzuka in Mie Prefecture. It is different from ise washi, though both are made in Mie Prefecture.
The art of Japanese bamboo weaving in patterns such as kagome (籠目) is well known; its name is composed from the words kago (basket) and me (eyes), referring to the pattern of holes found in kagome, where laths woven in three directions (horizontally, diagonally left and diagonally right) create a pattern of trihexagonal tiling.
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