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Panel 2: Inhabitants of Raiatea, the second largest of the Society Islands in French Polynesia, Chief Oreo met Captain Cook in 1777. Panel 3: Inhabitants of Ha'apai in Tonga. A man, a woman and a girl behind plum trees taking part in feast of the Arroey (seen in panel-2). Panels 4 to 6: Inhabitants of Tahiti, the largest island in French ...
Richard Parkes Bonington (25 October 1802 [1] – 23 September 1828) was an English Romantic landscape painter. He moved to France at the age of 14 and can also be considered as a French artist, and an intermediary bringing aspects of English style to France. [2]
See also Palace of Versailles, Louis XV of France, Madame de Pompadour, Rococo, Louis XVI of France, Neoclassicism, Enlightenment, Gobelins. For art criticism, see Denis Diderot. Alexis Simon Belle (1674–1734) Jean-François de Troy (1679–1752) (son of François), painter; Marie-Anne Horthemels (1682–1727), engraver
Patrick Pietropoli (born 1953) [2] Henri Pinta (1856–1944) Camille Pissarro (1830–1903) Claude Plessier (born 1946) Nicolas de Poilly the Younger (1675–1747) Nicolas Poussin (1594–1665) Auguste Prévot-Valéri (1857–1930) André Prévot-Valéri (1890–1959) Pierre Puvis de Chavannes (1824–1898) Jean Puy (1876–1960) Denis Prieur ...
Charles Ephraim Burchfield (April 9, 1893 – January 10, 1967) was an American painter and visionary artist, known for his passionate watercolors of nature scenes and townscapes. The largest collection of Burchfield's paintings, archives and journals are in the collection of the Burchfield Penney Art Center in Buffalo.
An artist working on a watercolor using a round brush Love's Messenger, an 1885 watercolor and tempera by Marie Spartali Stillman. Watercolor (American English) or watercolour (Commonwealth English; see spelling differences), also aquarelle (French:; from Italian diminutive of Latin aqua 'water'), [1] is a painting method [2] in which the paints are made of pigments suspended in a water-based ...
The Picador is an 1832 watercolor painting by the French Romantic painter Eugène Delacroix, showing the 'tercio de pique' or third phase of a bullfight. It is held in the department of prints and drawings at the Louvre with other drawings of bullfights by the same artist, notably Picador and Chuletillo (lead pencil, 1832).
The Henri Matisse paintings French Window at Collioure, and View of Notre-Dame, [23] both from 1914, exerted tremendous influence on Richard Diebenkorn's Ocean Park paintings. According to art historian Jane Livingston, Diebenkorn saw both Matisse paintings in an exhibition in Los Angeles in 1966, which enormously affected him and his work. [24]