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Mantrapushpanjali (Sanskrit, Devanagari मंत्रपुष्पांजलि, IAST mantrapuṣpāñjali, IPA \mɐn̪t̪rɐpuɕpɑːɲɟɐli\) is a popular ...
The Ganesha Pancharatnam is a stotra composed by Adi Shankara in the 8th century on the Hindu deity Ganesha. [1] Ganesha is referred to by his epithet of Vinayaka in the strota, and the title itself can be translated as "The five jewels in praise of Ganesha".
Annapurna Stotra; Ashtalakshmi Stotra; Dakshinamurti Stotra; Hayagriva Stotra; Hari Stotra; Kanakadhara Stotra; Khadgamala Stotra; Mahishasura Mardini Stotra; Rama Raksha Stotra; Shiva Mahimna Stotra; Shiva Tandava Stotra
Ganesha Sahasranamas are recited in many temples today as a living part of Ganesha devotion. There are two different major versions of the Ganesha Sahasranama, with subvariants of each version. One major version appears in chapter I.46 of the Ganesha Purana ( Gaṇeśa Purāṇa ), an important scripture of the Ganapatya ( Gāṇapatya ).
The Ganesha Chalisa (Awadhi: गणेश चालीसा, romanized: Gaṇeśa Chālisā, lit. 'forty quatrains on Ganesha') is a Hindu devotional hymn ( stotra ) addressed to the deity Ganesha .
Ghurye notes that the text identifying Ganesa with the Brahman and is of a very late origin, [7] while Courtright and Thapan date it to the 16th or 17th century. [8] [9]While the Ganapati Atharvaśīrṣa is a late text, the earliest mention of the word Ganapati is found in hymn 2.23.1 of the 2nd-millennium BCE Rigveda. [10]
"Vatapi Ganapatim" is a part of the series of hymns called Shodasha Ganapati kritis, a collection of songs dedicated to sixteen Ganesha icons located in shrines around Dikshitar's birthplace Thiruvarur. [1] Vatapi Ganapatim is dedicated to the image of Vatapi Ganapati of Tiruchenkattankudi in Thiruvarur district, in the Indian state of Tamil Nadu.
Stotra (Sanskrit: स्तोत्र) is a Sanskrit word that means "ode, eulogy or a hymn of praise." [1] [2] It is a literary genre of Indian religious texts designed to be melodically sung, in contrast to a shastra which is composed to be recited. [1] A stotra can be a prayer, a description, or a conversation, but always with a poetic ...