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Occasionally also known as mood music and concert music, light music is often grouped with the easy listening genre. [3] Light music was popular in the United Kingdom, the United States and in continental Europe , and many compositions in the genre remain familiar through their use as themes in film, radio and television series.
Beautiful music initially offered soft and unobtrusive instrumental selections on a very structured schedule with limited commercial interruptions. It often functioned as a free background music service for stores, with commercial breaks consisting only of announcements aimed at shoppers already in the stores.
Records of work songs are as old as historical records, and anthropological evidence suggests that most agrarian societies tend to have them. [1]When defining work songs, most modern commentators include songs that are sung while working, as well as songs that are about work or have work as the main subject, since the two categories are often interconnected. [2]
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An office suite is a bundle of productivity software (a software suite) intended to be used by office workers. The components are generally distributed together, have a consistent user interface and usually can interact with each other, sometimes in ways that the operating system would not normally allow.
Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm.Often "peaceful" sounding and lacking composition, beat, and/or structured melody, [5] ambient music uses textural layers of sound that can reward both passive and active listening, [6] and encourage a sense of calm or contemplation.
In 2000, a version of "Handbags and Gladrags" was specifically arranged by Big George as the theme song on the BBC series The Office. Three versions were recorded: a short, instrumental piece as the opening titles theme; a short, vocal piece as the closing titles theme; an alternative full studio version
Background music (British English: piped music) is a mode of musical performance in which the music is not intended to be a primary focus of potential listeners, but its content, character, and volume level are deliberately chosen to affect behavioral and emotional responses in humans such as concentration, relaxation, distraction, and excitement.