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Deleuze writes: "with recollection-images" and "dream-images" the "former still come within the framework of the sensory-motor situation" and "the latter […] project the sensory-motor situation to infinity"; thus "we do not, in this way, leave behind an indirect representation [of time, movement-images], even though we come close".
Gilles Louis René Deleuze (/ d ə ˈ l uː z / də-LOOZ; French: [ʒil dəløz]; 18 January 1925 – 4 November 1995) was a French philosopher who, from the early 1950s until his death in 1995, wrote on philosophy, literature, film, and fine art.
As David Rodowick writes: 'In the absence of a predetermined trajectory' the image becomes 'what Deleuze calls opsigns and sonsigns, or pure optical and acoustical images.' [3] Deleuze explores opsigns and sonsigns through the cinema of the Italian neorealists and Japanese director Yasujirō Ozu.
The Bergstraße route. The Bergstraße ("Mountain Road") is an 80-kilometre-long (50 mi) ancient trade route in the south-west of Germany. The route and the area around it is a mountainous "theme route" running north–south along the western edge of the Odenwald forest in southern Hesse and northern Baden-Württemberg.
The concept of the plane itself is significant as it implies that immanence cannot simply be conceived as the within, but also as the upon, as well as the of.An object is not simply within a larger system, but folds from that very same system, functioning and operating consistently upon it, with it and through it, immanently mapping its environment, discovering its own dynamic powers and ...
Schizoanalysis (or ecosophy, pragmatics, micropolitics, rhizomatics, or nomadology) (French: schizoanalyse; schizo-from Greek σχίζειν skhizein, meaning "to split") is a set of theories and techniques developed by philosopher Gilles Deleuze and psychoanalyst Félix Guattari, first expounded in their book Anti-Oedipus (1972) and continued in their follow-up work, A Thousand Plateaus (1980).
Dialogues (French: Dialogues) is a 1977 book in which Gilles Deleuze examines his philosophical pluralism in a series of discussions with Claire Parnet. It is widely read as an accessible and personable introduction to Deleuze's philosophy along with Negotiations. The book contains an exposition of Deleuze's concepts and methodologies in which ...
Deleuze suggests that, unlike Hegel, he creates concepts out of a joyful and creative logic that resists the dualism of dialectic: "I make, remake and unmake my concepts along a moving horizon, from an always decentered centre, from an always displaced periphery which repeats and differentiates them" (xxi).