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A digital movie camera for digital cinematography is a motion picture camera that captures footage digitally rather than physical film, known as film stock. Different digital movie cameras output a variety of different acquisition formats. Cameras designed for domestic use have also been used for low-budget independent productions.
Consequently, it has become popular with low-budget film/video makers. It is the successor to the HV10, which was Canon's first consumer HDV camcorder. The NTSC-region camera shoots at 24p which gives a film-like look in PF24 mode, using 2:3 pulldown in a 60i stream. In PAL regions, it can record in native 25p mode and as such does not require ...
The film, transferred to 35mm negative for theatrical release, won Best U.S. Feature at the Santa Barbara Film Festival in 1998. In 1997, with the introduction of HDCAM recorders and 1920 × 1080 pixel digital professional video cameras based on CCD technology, the idea, now re-branded as "digital cinematography," began to gain traction in the ...
For consumer and prosumer cameras, Canon released Cinema EOS C300, which provided Canon Log video recording function, while Sony released S-Log2 profile on its Alpha 7II digital still camera, allowing low budget filmmakers to produce film-like motion pictures.
Instant cameras and printers manufactured by Polaroid B.V. Praktica: Germany: Compact digital cameras PTZOptics: USA: PTZ cameras, zoom cameras, camera controllers, HIVE Cloud Controller, and accessories Ricoh: Japan: Caplio and other compact digital cameras and the modular GXR MILC: Rollei: Germany: Compact digital cameras Samsung: South Korea
The 35 mm film gauge has long been the most common gauge in professional usage, and thus enjoys the greatest number of cameras currently available for professional usage. The modern era of 35 mm cameras dates to 1972, when Arri 's Arriflex 35BL and Panavision 's original Panaflex models emerged as the first self-blimped, lightweight cameras.
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