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  2. A Simple Game - Wikipedia

    en.wikipedia.org/wiki/A_Simple_Game

    "A Simple Game" is a 1968 song by the progressive rock band the Moody Blues. Written and sung by Mike Pinder, it was released as a non-album B-side to "Ride My See-Saw", a track from the album In Search of the Lost Chord. The song was produced by Tony Clarke and arranged by Arthur Greenslade.

  3. Simple Man (Lynyrd Skynyrd song) - Wikipedia

    en.wikipedia.org/wiki/Simple_Man_(Lynyrd_Skynyrd...

    "Simple Man" is written in the key of A minor/C major, though all guitars were tuned down a half step, effectively making it G♯ minor/B.The song begins with an electric arpeggiated chord sequence made up of the chords C major, G major and A minor (though with the tuned-down guitars, effective progression of B major, F♯ major and G♯ minor).

  4. Save You (Simple Plan song) - Wikipedia

    en.wikipedia.org/wiki/Save_You_(Simple_Plan_song)

    The song is in common time throughout and follows the basic ABABCB skeleton, wherein 'A' is the verse, 'B' is the prechorus and chorus, and 'C' is the bridge.. The song's verses are in the key of C natural minor and feature a i-VI-III-VII progression repeated three times, with a chord change every two beats.

  5. Somewhere Only We Know - Wikipedia

    en.wikipedia.org/wiki/Somewhere_Only_We_Know

    The song form can be analysed as ABAB CBCB, a variation of the strophic form. The verse (A) chord progression is a plain (I-II-V), one of the most used chord progressions in music; the chorus (B) presents a (VI-III-IV-V) progression; the variation of the verse section (C) presents a (II-III-IV-V) progression. The bassline was recorded by Rice ...

  6. Chord progression - Wikipedia

    en.wikipedia.org/wiki/Chord_progression

    A chord may also have chromatic notes, that is, notes outside of the diatonic scale. Perhaps the most basic chromatic alteration in simple folk songs is the raised fourth degree (♯) that results when the third of the ii chord is raised one semitone. Such a chord typically functions as the secondary dominant of the V chord (V/V).

  7. List of chord progressions - Wikipedia

    en.wikipedia.org/wiki/List_of_chord_progressions

    IV-V-I-vi chord progression in C major: 4: Major I–V–vi–IV: I–V–vi–IV chord progression in C: 4: Major I–IV– â™­ VII–IV: I–IV– â™­ VII–IV. 3: Mix. ii–V–I progression: ii–V–I: 3: Major ii–V–I with tritone substitution (â™­ II7 instead of V7) ii– â™­ II –I: 3: Major ii-V-I with â™­ III + as dominant ...

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