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Originating in the Heian period as an undergarment for both men and women, the kosode was a plain white garment, typically made of silk, worn directly next to the skin.Both men and women wore layered, wrap-fronted, wide-sleeved robes on top of the kosode, with the style of layering worn by women of the Imperial Japanese court – known as the jūnihitoe, literally "twelve layers" – featuring ...
The sleeves, like all women's kimono, are attached to the body of the kimono only at the shoulder, with the inner edge left open past the shoulder. This both allows the underkimono ( juban ) to show when worn, and also allows the obi to be tied around the body above the hips.
Cheongsam (UK: / tʃ (i) ɒ ŋ ˈ s æ m /, US: / tʃ ɔː ŋ ˈ s ɑː m /) or zansae, also known as the qipao (/ ˈ tʃ iː p aʊ /) and sometimes referred to as the mandarin gown, is a Chinese dress worn by women which takes inspiration from the qizhuang, the ethnic clothing of the Manchu people.
A young woman modelling a jūnihitoe. The jūnihitoe (十二単, lit. ' twelve layers '), more formally known as the itsutsuginu-karaginu-mo (五衣唐衣裳), is a style of formal court dress first worn in the Heian period by noble women and ladies-in-waiting at the Japanese Imperial Court.
The first instances of kimono-like garments in Japan were traditional Chinese clothing introduced to Japan via Chinese envoys in the Kofun period (300–538 CE; the first part of the Yamato period), through immigration between the two countries and envoys to the Tang dynasty court leading to Chinese styles of dress, appearance, and culture becoming extremely popular in Japanese court society. [1]
The Hanes off-the-shoulder T-shirts bedazzled with ‘Rock Royalty’ from the store Filth Mart. Stella, creative director at Chloé from 1997 to 2001, famously made clothes inspired by how her ...
Yoruba women's clothing is also an impactful part of the Nigerian culture and the African culture. The clothing showcases the diversity, beauty, and richness of Yoruba people and by extension the African continent and its people. The clothing also inspires and influences other forms of art and expression, such as music, dance, literature, and ...
Mon women traditionally wear a shawl called yat toot, which is wrapped diagonally over the chest covering one shoulder with one end dropping behind the back. Archaeological evidence from the Dvaravati era (direct ancestors of the Mon people) portrays ladies wearing what seems to be a similar shawl hanging from their shoulder. [ 22 ]
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