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"Any Time at All" is a song by the English rock band the Beatles. Credited to the Lennon–McCartney partnership, it was mainly composed by John Lennon, with an instrumental middle eight by Paul McCartney. [2] It first appeared on the Beatles' A Hard Day's Night album.
The group returned to take 3 of "Only a Northern Song" on 20 April, a day when members of the Yellow Submarine production team visited them in the studio. [57] The band started working on the song less than 45 minutes after completing the final mixing on Sgt. Pepper, demonstrating what Lewisohn terms a "tremendous appetite" to continue recording.
8 time, with an arpeggio guitar theme in D minor, progressing through E 7(♭ 9) and B ♭ 7 before cadencing on an A augmented chord. In this chord sequence, the F note is a drone. The bass and lead guitar ascend and descend with a riff derived from the D minor scale. As the last chord fades, a verse begins in 4
The opening guitar solo is followed by the chorus in the key of C major, shifting between V (G on "Bungalow") and iv (Fm on "what did you"). [7] What follows is a relative minor bridge starting with Am (on "He went out") then shifting to ♭ VI (F on "elephant") and ♭ VII (G on "gun").
"You Like Me Too Much" is a song by the English rock band the Beatles. It was written by George Harrison , the group's lead guitarist, and released in August 1965 on the Help! album, except in North America, where it appeared on Beatles VI . [ 2 ]
"She Said She Said" is in the key of B ♭ Mixolydian, based on three chords: B ♭ (I), A ♭ (♭ VII), and E ♭ (IV). [38] The key centre shifts to E ♭ major during the bridge sections by means of an F minor (v) chord, a pivot chord that the Beatles had used to modulate to the subdominant before on "From Me to You" and "I Want to Hold ...
This, after a repeat, segues easily into a second bridge melody, which is based on a simple IV-V-I chord progression that passes through the dominant key to resolve back on the verse. [1] The song has characteristics typical of Harrison's writing style in its syncopated melody line [21] and melodic idiosyncrasy. [22]
Influenced somewhat by the Shirelles, [3] "When I Get Home" is essentially a rock and roll number, but with unusual chord progressions. Lennon liked this particular ploy, and used it on many of his songs at the time. Typical also of this period of the Beatles is the vocal leap into falsetto.
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