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The Willow pattern is a distinctive and elaborate chinoiserie pattern used on ceramic tableware. It became popular at the end of the 18th century in England when, in its standard form, it was developed by English ceramic artists combining and adapting motifs inspired by fashionable hand-painted blue-and-white wares imported from Qing dynasty ...
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There were realized in the French technical tradition of the 18th and 19th centuries, developed for the Sèvres porcelain. [1] From 1961, some of the Le Tallec's patterns were especially created for Tiffany & Co and by 1990 when the studio was acquired by the jewelry and silverware company an extensive new creation process had then been engaged ...
Debenhams entered Ireland as the anchor store at the Jervis Shopping Centre in Dublin in 1996, [43] and then established a second anchor store at Mahon Point Shopping Centre in Cork in 2005. [44] Debenhams demerged from the Burton Group in January 1998 and was once again listed as a separate company on the London Stock Exchange. [45]
Davenport Pottery was an English earthenware and porcelain manufacturer based in Longport, Staffordshire. [1] It was in business, owned and run by the Davenport family, between 1794 and 1887, making mostly tablewares in the main types of Staffordshire pottery .
From 1808 porcelain, that is to say bone china, was produced, in a great profusion of patterns, for which many of the pattern books survive. The styles are typical for the period, with many flowers, landscapes, and some modified Neoclassical and Chinese (or "Anglo-oriental") treatments. Wedgwood jasperware effects were rendered in glazed porcelain.
Experiments with the manufacture of porcelain began in 1820. By 1826 the pottery was bankrupt. However the Bramelds' experiments with porcelain had just come to fruition and the Earl was impressed by the potential of the new products. He bailed out the pottery and allowed his family's crest and name to be used by the pottery. [3]
Chintzware, or chintz pottery, describes chinaware and pottery covered with a dense, all-over pattern of flowers (similar to chintz textile patterns) or, less often, other objects. It is a form of transferware where the pattern is applied by transfer printing as opposed to the more traditional method of painting by hand.