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Clay was the first Australian film selected for competition at the Cannes Film Festival. [4] In March 1965, ABC bought the TV rights for £2,600 and the film won to awards for photography at the 1965 AFIs. However it was poorly received at the Sydney Film Festival and Melbourne Film Festival and struggled to get commercial release. [1] [5]
Minnesota Clay was one of the first Spaghetti Westerns released in Rome after the surprise success of A Fistful of Dollars. [4] The film earned 400 million lire, substantially less than A Fistful of Dollars, which grossed 3.182 billion lire. [4] [5] The film's English-dubbed version was created in Rome.
Common Clay is a 1919 silent film drama directed by George Fitzmaurice and starring Fannie Ward. It was based on a 1915 play by Cleves Kinkead which starred Jane Cowl . Produced by Astra Film , it was distributed through Pathé Exchange .
Common Clay is a 1930 American pre-Code film directed by Victor Fleming and starring Constance Bennett and Lew Ayres, based on the 1915 play of the same name by Cleves Kinkead which starred Jane Cowl.
Clay Pigeons is a 1998 black comedy film written by Matt Healy and directed by David Dobkin, and starring Joaquin Phoenix, Vince Vaughn and Janeane Garofalo. It is the second on-screen collaboration between Vaughn and Phoenix, the first film being Return to Paradise , released in the same year.
The film is a surreal short of pulsating shapes and lumps of clay set to jazz music in a homage of Walt Disney's Fantasia. [ 3 ] Gumbasia was created in a style Vorkapić taught, called Kinesthetic Film Principles and described as "massaging of the eye cells".
In kaolinite clay, the bonding between plates is provided by a film of water molecules that hydrogen bond the plates together. The bonds are weak enough to allow the plates to slip past each other when the clay is being moulded, but strong enough to hold the plates in place and allow the moulded clay to retain its shape after it is moulded.
Pioneered in both clay and blocks of wax by German animator Oskar Fischinger during the 1920s and 1930s, the technique was revived and highly refined in the mid-1990s by David Daniels, an associate of Will Vinton, in his 16-minute short film "Buzz Box". Another clay-animation technique, one that blurs the distinction between stop motion and ...