Search results
Results from the WOW.Com Content Network
Portrait of a Young Woman is a c.1518-1519 oil on panel painting by Raphael and Giulio Romano, now in the Musée des Beaux-Arts in Strasbourg, for which it was acquired by Wilhelm von Bode, who bought it in London in 1890.
"La Fornarina (The Portrait of a Young Woman) is a painting by the Italian High Renaissance master Raphael, made between 1518 and 1519. It is an oil-on-panel with 86 x 58 cm dimensions, located in Room IX of the Borghese Gallery.In Olimpia Aldobrandini's two inventories (1626 and 1682), the art work is attributed to Raphael.
The Portrait of a Young Woman, also known as La Muta, is an oil on wood portrait by the Italian Renaissance artist Raphael, executed c. 1507–1508. It is housed in the Galleria Nazionale delle Marche, in Urbino. The picture portrays an unknown noblewoman over a near-black background, showing some Leonardesque influences.
Portrait of a Young Man, unknown master, 80.5 × 63.5 cm, private collection Berlin. [citation needed] Portrait of a Young Man is a painting by Raphael. It is often thought to be a self-portrait. During the Second World War the painting was stolen by the Nazis from Poland. Many historians regard it as the most important painting missing since ...
Young Woman with Unicorn; Artist: Raphael: Year: c. 1505-1506: Type: ... Portrait of Young Woman with Unicorn is a painting by Raphael, which art historians date c ...
Another drawing is a portrait of a young woman that uses the three-quarter length pyramidal composition of the just-completed Mona Lisa, but still looks completely Raphaelesque. Another of Leonardo's compositional inventions, the pyramidal Holy Family , was repeated in a series of works that remain among his most famous easel paintings.
La donna gravida (or simply La gravida; Italian for "The Pregnant Woman") is an oil on wood portrait by the Italian High Renaissance artist Raphael.It was painted between 1505 and 1506, during Raphael's stay in Florence, Italy.
Self Portrait at the Age of 78, Ingres, 1858. In 1813, at the time of the painting, Ingres married Madeleine Chapelle, which may have led him to focus on Raphael's relationships with women. [9] In Le Roman d'amour de M. Inges, by Henry Lapauze, Ingres's and Raphael's relationships and encounters with women are contrasted and analyzed. [8]