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Dianic Wicca, also known as Dianic Witchcraft, [1] is a modern pagan goddess tradition focused on female experience and empowerment. Leadership is by women, who may be ordained as priestesses, or in less formal groups that function as collectives.
Founder of Dianic Wicca, Founder of the Susan B. Anthony Coven Symbol of the Goddess with the Pentagram . Zsuzsanna Emese Mokcsay (born 1940) is a Hungarian-American writer, activist, playwright and songwriter living in America who writes about feminist spirituality and Dianic Wicca under the pen name Zsuzsanna Budapest or Z. Budapest .
The Dianic tradition adopted Graves's Triple Goddess, along with other elements from Wicca, and is named after the Roman goddess Diana, the goddess of the witches in Charles Godfrey Leland's 1899 book Aradia.
Faerie Faith is a Wiccan branch from the "Old Dianic" tradition (later renamed McFarland Dianic) through the work of Mark Roberts and his high priestess, Epona. [1]The Faerie Faith founded by Roberts and Epona is distinct from other Neopagan traditions with similar names: the Feri Tradition of Victor Anderson (circa 1960); the Radical Faeries group founded by gay men (1979); or the Faery Wicca ...
Wiccan views of divinity are generally theistic, and revolve around a Goddess and a Horned God, thereby being generally dualistic.In traditional Wicca, as expressed in the writings of Gerald Gardner and Doreen Valiente, the emphasis is on the theme of divine gender polarity, and the God and Goddess are regarded as equal and opposite divine cosmic forces.
[102] [103] McFarland Dianic Wiccans base their tradition primarily on the work of Robert Graves and his book The White Goddess, and were inspired by references to the existence of medieval European "Dianic cults" in Margaret Murray's book The Witch-Cult in Western Europe. [103]
They published a book titled The Witch's Bible, which generated outrage within the Wiccan community. [10] Many critics referred to it as a "witchcrap book". [10] Many of the central teachings featured in the book, such as its emphasis upon the existence of an asexual monotheistic deity, were completely contradictory to mainstream Wiccan belief ...
Various scholars have suggested that in embracing the iconography of the witch, and with the witch trials in the early modern period, W.I.T.C.H. represented forerunners of various forms of feminist-oriented modern Paganism such as Dianic Wicca.