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The Grass Roots is an American rock band that charted frequently between 1965 and 1975. The band was originally the creation of Lou Adler and songwriting duo P. F. Sloan and Steve Barri . In their career, they achieved two gold albums and two gold singles , and charted singles on the Billboard Hot 100 a total of 21 times.
Grill composed 16 songs for The Grass Roots and his solo album. One of these, "Come On and Say It", appeared as a single A-side. His other 15 compositions appeared on single B-sides and albums. He wrote frequently with Warren Entner and they were considered a songwriting team. Grill played with The Grass Roots on 16 albums, seven of which charted.
Let's Live for Today is the second studio album by the American rock band the Grass Roots, released in July 1967 by Dunhill Records.A new group was brought in for this album which included Creed Bratton, Rick Coonce, Warren Entner and Rob Grill.
Let's Live for Today" was recorded by the Grass Roots with the help of session musicians, including Sloan on lead guitar, and was released as a single in May 1967. [1] [3] The lead vocal on the Grass Roots' recording was sung by the band's bassist Rob Grill [1] and the distinctive "1-2-3-4" count-in before the chorus was sung by guitarist ...
On The Grass Roots, released in 1965, he worked with the saxophonist Harold Ousley, the vibraphonist Bobby Hutcherson and the bassist Ray McKinney. His 1968 release, The Grass Is Greener , had John Patton on organ, Grant Green on guitar, Clark Terry on trumpet and Major Holley on bass, in addition to Ousley.
The group lacked a bass player and singer so they visited the Musician Union #69 in Hollywood. There they saw a posting for Rob Grill. Rob tried out for the open slot and was dynamite. [8] In 1967, the group changed their name to The Grass Roots to take advantage of prior name recognition and recorded "Let's Live For Today".
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The root position of a chord is the voicing of a triad, seventh chord, or ninth chord in which the root of the chord is the bass note and the other chord factors are above it. . In the root position, uninverted, of a C-major triad, the bass is C — the root of the triad — with the third and the fifth stacked above it, forming the intervals of a third and a fifth above the root of C, respective