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[2] [3] But the terms form and content can be applied not only to art: every meaningful text has its inherent form, hence form and content appear in very diverse applications of human thought: from fine arts to even mathematics and natural sciences. Even more, the distinction between these terms' meanings in different domains of application ...
There are two words in ancient Greek that have been translated to "temperance" in English. The first, sôphrosune, largely meant "self-restraint".The other, enkrateia ', was a word coined during the time of Aristotle, to mean "control over oneself", or "self-discipline".
The definition of Mannerism, and the phases within it, continues to be the subject of debate among art historians. Northern or Antwerp Mannerism predates and is distinct from Italian Mannerism. Antwerp during its 16th-century boom produced a style that was the last phase of Early Netherlandish painting with Early Renaissance elements.
In psychology, the Eysenck Personality Questionnaire (EPQ) is a questionnaire to assess the personality traits of a person. It was devised by psychologists Hans Jürgen Eysenck and Sybil B. G. Eysenck. [1] Hans Eysenck's theory is based primarily on physiology and genetics. Although he was a behaviorist who considered learned habits of great ...
In fiction, a character is a person or other being in a narrative (such as a novel, play, radio or television series, music, film, or video game). [1] [2] [3] The character may be entirely fictional or based on a real-life person, in which case the distinction of a "fictional" versus "real" character may be made. [2]
Noy & Noy-Sharav also claim that art is the most potent form of emotional communication. They cite examples of people being able to listen to and dance to music for hours without getting tired and literature being able to take people to far away, imagined lands inside their heads. Instead of being passive recipients of actions and images, art ...
Painterliness is a concept based on German: malerisch ('painterly'), a word popularized by Swiss art historian Heinrich Wölfflin (1864–1945) to help focus, enrich and standardize the terms being used by art historians of his time to characterize works of art.
Norman Bryson discussed perceptualism in terms of optical truth, as opposed to constructivist interpretations that take into account the social values of any given era's zeitgeist. Ernst Gombrich discussed perceptualism in terms of universal perceptual and psychological responses that govern the reception of images across time and differences ...