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The book is a comprehensive compendium of different Sari weaving and wearing traditions in India, covering 15 states of India and countless variations of colour, weave and pattern from each state, besides documenting 108 methods of draping a Sari. [5] In 2009, Ṛta Kapur initiated the ‘Sari School’ in New Delhi.
Rahul Jain is an Indian textile designer, art historian and author. [1] Born in Delhi in 1963, [2] he founded ASHA, a textile workshop engaged in promoting the traditional Indo-Iranian weaving techniques in Varanasi in 1993 and is reportedly contributing to the revival of the dying art form of silk weaving on traditional Indian drawlooms. [3]
Jasleen Dhamija (1933 – 4 March 2023) was an Indian textile art historian, crafts expert and United Nations worker. [1] Based in Delhi, she was best known for her pioneering research on the handloom and handicraft industry, especially history of textiles and costumes.
The British also impacted the textile industry in India because of industrialization and using their own mills instead of artisans in India. This led to the unemployment of many Indians. Later, Gandhi called for Indian people to make and wear their own hand-spun clothing, called khadi cloth, as a sign of resistance against the British. [21]
A sari (sometimes also saree [1] or sadi) [note 1] is a women's garment from the Indian subcontinent. [2] It consists of an un-stitched stretch of woven fabric arranged over the body as a robe, with one end attached to the waist, while the other end rests over one shoulder as a stole, [3] sometimes baring a part of the midriff.
Traditional Indian clothing for women across the country in Indian includes saris worn with choli tops; a skirt called a lehenga or chaniya worn with choli and a dupatta scarf to create an ensemble called a ghagra choli; while many south Indian children traditionally wear Langa voni. [citation needed].
Nelly Homi Sethna (née Mehta; 1 November 1932 – 1992) was an Indian weaver, textile designer, researcher, writer and a crafts activist. [1] She worked on the crossroads of Scandinavian modernism and Indian crafts tradition, which shaped her guiding philosophy. [2]
Martand "Mapu" Singh (10 February 1947 – 25 April 2017) was an Indian textile conservator, curator, and cultural historian who championed the revival of traditional Indian textiles, weaving and dyeing traditions.
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