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Fruit Bowl on a Table is a c. 1934 still-life oil painting by the French artist Pierre Bonnard which was bought by the city of Strasbourg in 1995 from the heiresses of Claude Roger-Marx. Today this painting is in the Musée d'Art moderne et contemporain. [1] [2]
Rideau, Cruchon et Compotier (English: Curtain, Jug and Fruit Bowl) is an oil on canvas painting created c. 1893 to 1894 by French artist Paul Cézanne.It is a formal still life composition that displays Cézanne's exploration of form, balance and symmetry in objects.
Fruit bowl, Glass and Apples: 1879-80 46 x 55 cm Museum of Modern Art, New York City V 341 R 418 FWN 780 Still Life with Apples in a Bowl: 1879-80 43.5 x 54 cm Ny Carlsberg Glyptotek, Copenhagen V 342 R 419 FWN 781 Still Life with Fruit Dish, Apples and Bread: 1879-80 55 x 74.5 cm Am Römerholz, Winterthur V 344 R 420 FWN 782 Begonias: 1879-80 ...
Reverdy composed a poem titled The Fruit Bowl to accompany the painting. Gris' work is currently in the collection of the Metropolitan Museum of Art. [1] This piece belongs to the movement of Synthetic Cubism, where pioneers like Pablo Picasso and Georges Braque began to find new ways to expand the genre of painting, the most important of these ...
Jacob van Hulsdonck was a still life painter of banquet style pieces, fruit bowls and flowers. Roughly 100 paintings are currently attributed to him. The meticulous handling of detail in his work likely explains his relatively low output.
Basket of Fruit (c.1599) is a still life painting by the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610), which hangs in the Biblioteca Ambrosiana (Ambrosian Library), Milan. It shows a wicker basket perched on the edge of a ledge. The basket contains a selection of summer fruit:
Jan Davidsz. de Heem or in-full Jan Davidszoon de Heem, also called Johannes de Heem or Johannes van Antwerpen or Jan Davidsz de Hem (c. 17 April 1606 in Utrecht – before 26 April 1684 in Antwerp), was a still life painter who was active in Utrecht and Antwerp.
The painting is dominated by a depiction of a stemmed silver fruit bowl containing pears. A deliberately created optical illusion of the human face occupies the same space as the dish; the fruits suggest wavy hair, the dish's bowl becomes the forehead, the stem of the dish serves as the bridge of the nose, and the dish's foot doubles as the chin.
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