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The sound can be achieved in acoustically "live" or "dead" rooms, since all reverberation will be done inside the effects unit processor. The close mic sound is fed to the reverberation unit, then optionally to a compressor, and then to the noise gate's signal input. [16] The same sound from the close mic is fed to the noise gate's key input.
The orchestra hit has been identified as a "hip hop cliché". [4] In 1990, Musician magazine stated that Fairlight's ORCH5 sample was "the orchestral hit that was heard on every rap and techno-pop record of the early 1980s". [5] The orchestra hit has been described as popular music's equivalent to the Wilhelm scream, a sound effect widely used ...
A good example of time-controlled noise gating is the well-known "gated reverb" effect heard on the drums on the Phil Collins hit single "In the Air Tonight", created by engineer-producer Hugh Padgham, in which the powerful reverberation added to the drums is cut off by the noise gate after a few milliseconds, rather than being allowed to decay ...
The orchestra hit originated as a sound on the Fairlight, sampled from Stravinsky's 1910 orchestral work Firebird Suite, [47] and became a hip hop cliché. [48] MusicRadar cited the Zero-G Datafiles sample libraries as a major influence on 90s dance music, becoming the "de facto source of breakbeats, bass and vocal samples". [15]
A sound effect (or audio effect) is an artificially created or enhanced sound, or sound process used to emphasize artistic or other content of films, television shows, live performance, animation, video games, music, or other media.
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The voice of the scream, Sheb Wooley The Wilhelm scream originates from a series of sound effects recorded for the 1951 movie Distant Drums. [1] [2] In a scene from the film, soldiers fleeing a Seminole group are wading through a swamp in the Everglades, and one of them is bitten and dragged underwater by an alligator.
Octave effect boxes are a type of special effects unit which mix the input signal with a synthesized signal whose musical tone is an octave lower or higher than the original. The synthesised octave signal is derived from the original input signal by halving (octave-down) or doubling (octave-up) the frequency.
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