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Orphic Hymn 71 is addressed to Melinoe, and describes her as follows (in the translation by Apostolos Athanassakis and Benjamin M. Wolkow): I call upon Melinoë, saffron-cloaked nymph of the earth, whom revered Persephone bore by the mouth of the Kokytos river upon the sacred bed of Kronian Zeus.
Roman mosaic of Orpheus, the mythical poet to whom the Orphic Hymns were attributed, from Palermo, 2nd century AD [31]. The collection's attribution to the mythical poet Orpheus is found in its title, "Orpheus to Musaeus", [32] which sits above the proem in the surviving manuscripts of the collection; [33] this proem, an address to the legendary poet Musaeus of Athens (a kind of address found ...
The second is a link to the article that details that symbol, using its Unicode standard name or common alias. (Holding the mouse pointer on the hyperlink will pop up a summary of the symbol's function.); The third gives symbols listed elsewhere in the table that are similar to it in meaning or appearance, or that may be confused with it;
The first published English grammar was a Pamphlet for Grammar of 1586, written by William Bullokar with the stated goal of demonstrating that English was just as rule-based as Latin. Bullokar's grammar was faithfully modeled on William Lily's Latin grammar, Rudimenta Grammatices (1534), used in English schools at that time, having been ...
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
a; a few; a little; all; an; another; any; anybody; anyone; anything; anywhere; both; certain (also adjective) each; either; enough; every; everybody; everyone ...
It is a meaning relation in which a phrase "stands in" for (expresses the same content as) another where the meaning is recoverable from the context. [4] In English, pronouns mostly function as pro-forms, but there are pronouns that are not pro-forms and pro-forms that are not pronouns. [5]: 239 Pronouns can be pro-forms for non-noun phrases.
In some languages (Spanish, Welsh, Indonesian, etc.), the postpositive placement of adjectives is the normal syntax, but in English it is largely confined to archaic and poetic uses (e.g., "Once upon a midnight dreary", as opposed to "Once upon a dreary midnight") as well as phrases borrowed from Romance languages or Latin (e.g., heir apparent ...
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