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The Jesus bloodline refers to the proposition that a lineal sequence of the historical Jesus has persisted, possibly to the present time. Although absent from the Gospels or historical records, the concept of Jesus having descendants has gained a presence in the public imagination, as seen with Dan Brown's 2003 best-selling novel The Da Vinci Code and its 2006 movie adaptation of the same name ...
Two Talmudic-era texts referring to a "Jesus, son of Pantera (Pandera)" are Tosefta Hullin 2:22f: "Jacob… came to heal him in the name of Jesus son of Pantera" and Qohelet Rabbah 1:8(3): "Jacob… came to heal him in the name of Jesus son of Pandera" and some editions of the Jerusalem Talmud also specifically name Jesus as the son of Pandera ...
The Nativity of Jesus has been a major subject of Christian art since the 4th century. The artistic depictions of the Nativity or birth of Jesus, celebrated at Christmas, are based on the narratives in the Bible, in the Gospels of Matthew and Luke, and further elaborated by written, oral and
Below, the birth and childhood of Mary A 17th-century oak carving of the Tree of Jesse from St Andrews Castle, Royal Scottish Museum (Painter related to) Geertgen tot Sint Jans, c. 1500, oil on panel The Tree of Jesse is a depiction in art of the ancestors of Jesus Christ , shown in a branching tree which rises from Jesse of Bethlehem , the ...
Christ carrying the cross with the crown of thorns, as painted by El Greco, c. 1580s. According to the New Testament, a woven crown of thorns (Ancient Greek: στέφανος ἐξ ἀκανθῶν, romanized: stephanos ex akanthōn or ἀκάνθινος στέφανος, akanthinos stephanos) was placed on the head of Jesus during the events leading up to his crucifixion.
Images of Jesus tend to show ethnic characteristics similar to those of the culture in which the image has been created. Beliefs that certain images are historically authentic, or have acquired an authoritative status from Church tradition, remain powerful among some of the faithful, in Eastern Orthodoxy, Lutheranism, Anglicanism, and Roman ...
Rosso Fiorentino. Descent from the Cross. 1521.Oil on wood. 375 × 196 cm. Pinacoteca Comunale di Volterra, Italy.. The Descent from the Cross (Greek: Ἀποκαθήλωσις, Apokathelosis), or Deposition of Christ, is the scene, as depicted in art, from the Gospels' accounts of Joseph of Arimathea and Nicodemus taking Christ down from the cross after his crucifixion (John 19, John 19:38–42).
Subjects showing the life of Jesus during his active life as a teacher, before the days of the Passion, were relatively few in medieval art, for a number of reasons. [1] From the Renaissance, and in Protestant art, the number of subjects increased considerably, but cycles in painting became rarer, though they remained common in prints and ...