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Metropolitan Museum of Art, New York, United States: Oil and gold on panel 169,5 x 168,9 c. 1504 The Agony in the Garden [Wikidata] Metropolitan Museum of Art, New York, United States: Oil on panel 24,1 x 28,9 Lamentation over the Dead Christ (Raphael) [Wikidata] Isabella Stewart Gardner Museum, Boston, United States: Oil on panel 23,5 x 28,8 c ...
Raphael: A Critical Catalogue of his Pictures, Wall-Paintings and Tapestries, catalogue raisonné by Luitpold Dussler published in the United States by Phaidon Publishers, Inc., 1971, ISBN 0-7148-1469-5 (out of print, but an online version is here ) Raphael at the Metropolitan: The Colonna Altarpiece, Wolk-Simon, Linda. (2006).
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The Transfiguration is the last painting by the Italian High Renaissance master Raphael.Cardinal Giulio de Medici – who later became Pope Clement VII (in office: 1523–1534) – commissioned the work, conceived as an altarpiece for Narbonne Cathedral in France; Raphael worked on it in the years preceding his death in 1520. [1]
The School of Athens (Italian: Scuola di Atene) is a fresco by the Italian Renaissance artist Raphael.It was painted between 1509 and 1511 as part of a commission by Pope Julius II to decorate the rooms now called the Stanze di Raffaello in the Apostolic Palace in Vatican City.
Original black and white photo image. At the onset of the Nazi German invasion of Poland in 1939, then family patriarch Prince Augustyn Józef Czartoryski rescued numerous pieces from the Czartoryski Museum, including Portrait of a Young Man, Leonardo's Lady with an Ermine and Rembrandt's masterpiece, Landscape with the Good Samaritan. [5]
Raphael at the Vatican (French: Raphaël au Vatican) is an 1832 history painting by the French artist Horace Vernet. It depicts an encounter in Rome between the Renaissance artists Raphael and Michelangelo. It is in the collection of the Louvre, in Paris. [1] [2]
The painting possesses an esthetic influence from Pinturicchio and Melozzo da Forlì, though the spatial orchestration of the work, with its tendency to movement, shows Raphael's knowledge of the Florentine artistic milieu of the 16th century. [2] The work was acquired by the São Paulo Museum of Art in 1954.