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The essays seek to understand and explain the relatively new movement of nonrepresentational art and defend these pioneering artists attempting to escape from the embraced realism and romanticism movements. [1] The dehumanization of art refers to the removal of human elements from these works, eliminating the content, but keeping the form.
All bad art comes from returning to Life and Nature, and elevating them into ideals. Life imitates Art far more than Art imitates Life. It follows as a corollary that external Nature also imitates Art. Lying, the telling of beautiful untrue things, is the proper aim of Art. The essay ends with the two characters going outside, as Cyril asked ...
The idea's most notable proponent is Oscar Wilde, who opined in an 1889 essay that, "Life imitates Art far more than Art imitates Life". In the essay, written as a Platonic dialogue, Wilde holds that anti-mimesis "results not merely from Life's imitative instinct, but from the fact that the self-conscious aim of Life is to find expression, and ...
My Belief: Essays on Life and Art is a collection of essays by Hermann Hesse. The essays, written between 1904 and 1961, were originally published in German, either individually or in various collections between 1951 and 1973. This collection in English was first published in 1974, edited by Theodore Ziolkowski.
Some commentators, such as Donn Zaretsky of The Art Law Blog critique the notion of "the public trust" and argue that deaccessioning rules should probably be thrown out altogether. [15] Others, such as Susan Taylor, director of the New Orleans Museum of Art and the AAMD's current president, believes that proceeds from the sale or funds from the ...
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Schopenhauer claimed that art provides knowledge of eternal Platonic Ideas and also results in temporary relief from the pressures of willing. Arthur Schopenhauer's aesthetics result from his philosophical doctrine of the primacy of the metaphysical Will as the Kantian thing-in-itself, the ground of life and all being