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The melody is also sung to various other lyrics, including the Common Doxology ("Praise God From Whom All Blessings Flow") and various German Lutheran chorales. In that latter respect it was used by Johann Sebastian Bach as a cantus firmus in his chorale cantata Herr Gott, dich loben alle wir (BWV 130) .
Hymns and songs covering a range of themes, including The Living God, Creation, Christian Life, Hurt and Healing, Church and Community, and Justice and Peace. [7] Around 10,000 songs were considered by the editorial team, who then worked with a committee of experts in music, ministry and theology to narrow this down to 219 songs. [5]
Landsberg was a Jewish rabbi of German origin in Rochester, New York.In 1884, he approached Mann, a Unitarian minister, for assistance in adapting the British Methodist hymn "The God of Abraham Praise", itself a loose and Christianized translation of the Jewish hymn "Yigdal", into a more accurate and less Christianized translation of "Yigdal" for interfaith use. [1]
Leaning on the Everlasting Arms is a hymn published in 1887 with music by Anthony J. Showalter and lyrics by Showalter and Elisha Hoffman. It is most commonly played on the scale of A-flat major . Showalter said that he received letters from two of his former pupils saying that their wives had died.
Singing the Living Tradition was the first standard denominational hymnbook to include songs from Unitarians in Eastern Europe, spirituals from the African American tradition, folk and popular songs, music of major, non-Christian religious traditions, and chants and rounds gathered from the various traditions of the world.
Jon Schmidt (born 1967) [1] is an American pianist and composer. Classically trained, he branched into New Age music in his 20s and has developed a classical crossover style that blends classical, contemporary, and rock and roll. He has released eight solo albums and seven piano books containing original scores. [2]
It was first published posthumously in A Selection of Psalms and Hymns for the Parish Church of Banbury (Third Edition, 1826), and thereafter by the writer's widow in Hymns Written and Adapted to the Weekly Church Service of the Year (1827), [2] one of the first hymnals to group their hymns by the liturgical occasion within the church year. [3]
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. [1] The word hymn derives from Greek ὕμνος (hymnos), which means "a song of praise". [2]
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