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The title itself is derived from Stipe and R.E.M.'s support for what would eventually become the "Motor Voter Bill" and the lyric "Hey, kids, rock 'n' roll" is an homage to the song "Stop It" by fellow Athens, Georgia, group Pylon; Stipe has also said the song is an "obvious homage to 'Rock On' by David Essex," which features a similar line.
Shortly thereafter, I.R.S. compiled R.E.M.'s music video catalog (except "Wolves, Lower") as the band's first video release, Succumbs. Scott Litt produced a number of R.E.M.'s albums from the late 1980s to the early to mid-1990s. Don Gehman was unable to produce R.E.M.'s fifth album, so he suggested the group work with Scott Litt.
This is a comprehensive list of songs recorded by the American alternative rock band R.E.M. that were officially released. The list includes songs performed by the entire band only (Berry, Buck, Mills and Stipe 1980 to 1997; Buck, Mills and Stipe 1998 to 2011).
"This track just really got hold of me — took hold of me,” recalls director Jake Scott, who at age 27 was still trying to make "that one video when you knock it out of the park."
"Stand" is a song by the American alternative rock band R.E.M., released as the second single from the album Green in 1989. The song peaked at number six on the Billboard Hot 100, becoming R.E.M.'s second top 10 hit in the United States, and topped both the Mainstream Rock Tracks and Modern Rock Tracks charts.
The song's title was inspired by the film Imitation of Life, directed by German filmmaker Douglas Sirk (pictured).. In the booklet for R.E.M.'s 2003 "best of" album, In Time: The Best of R.E.M. 1988–2003, the band states that the song's title comes from Douglas Sirk's 1959 film of the same name, which none of the band members had ever watched, and that the title is a metaphor for adolescence ...
"Orange Crush" is a song by the American alternative rock band R.E.M. It was released as the first single from the band's sixth studio album, Green, in 1988.It was not commercially released in the U.S. despite reaching number one as a promotional single on both the Mainstream and Modern Rock Tracks (where, at the time, it had the record for longest stay at number one with eight weeks, beating U2).
The single's music video, directed by Jonathan Dayton and Valerie Faris and shot during the soundcheck prior to the band's June 20, 1995, performance at the Knickerbocker Arena in Albany, New York, [5] shows a group of teenagers in a living room watching the band perform on TV. The version of the song that plays is slightly higher in tone than ...