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Antipolo by Fernando Amorsolo, depicting Filipinos celebrating the annual pilgrimage to Antipolo, with the pre-War cathedral depicted in the background.. After graduating from the University of the Philippines, Amorsolo worked as a draftsman for the Bureau of Public Works as a chief artist at the Pacific Commercial Company and as a part-time instructor at the University of the Philippines. [7]
Pioneers of Philippine Art showcases the 100 years of Philippine art from the late 19th century to the 20th century in the works of three famous Filipino artists namely Juan Luna, Fernando Amorsolo and Fernando Zobel. [19] Paintings of Amorsolo includes Palay Maiden (1920), Maiden with Lanzones (1924), Maiden in a Flower Garden (1948), Portrait ...
Fabián de la Rosa, the mentor and uncle of Fernando Amorsolo and his brother Pablo Amorsolo (1898–1945) had his own technique of painting women. De la Rosa painted a group of Women Working in a Rice Field in 1902 and his portrait of a Young Filipina in 1928. Pablo Amorsolo himself painted his own rendition of a female Fruit Vendor (undated).
Among its collections is a commissioned copy of Ritual Dance by Fernando Amorsolo-the original copy is lost in 1972, and the History of Philippine Music dated 1931. The Parisian Life by Juan Luna estimated in 2009 to value around P200 million, was formerly part of the museum's collections but was transferred to the National Museum of Fine Arts ...
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The Jorge B. Vargas Museum & Filipiniana Research Center, simply known as the UP Vargas Museum, is a museum located at the University of the Philippines (UP) Diliman campus which houses the collection of art, stamps and coins, library, personal papers and memorabilia of Jorge B. Vargas which he bequeathed to the university.
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Don Fabián de la Rosa y Cueto (May 5, 1869 – December 14, 1937) was a Filipino painter. He was the uncle and mentor to the Philippines' national artist in painting, Fernando Amorsolo, and to his brother Pablo. [1]
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