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Dixon wanted the guitars to sound more like they did in concert, but originally they met resistance from both the band and the label; however, by the time R.E.M. started recording, Dixon said the group "wanted to rock out a bit more". [17] Dixon was enamored of the binaural recording technique, and used it extensively on the album. Easter ...
"Radio Free Europe" is the debut single by American alternative rock band R.E.M., released in 1981 on the short-lived independent record label Hib-Tone. The song features "what were to become the trademark unintelligible lyrics which [ sic ] have distinguished R.E.M.'s work ever since."
on YouTube " Shiny Happy People " is a song by the American rock band R.E.M. , released as the second single from their seventh studio album, Out of Time (1991). It features guest vocals by Kate Pierson of the B-52's , who also appears in the music video.
In Time: The Best of R.E.M. 1988–2003 is the second official compilation album released by R.E.M. Issued in 2003, it includes tracks from their Warner Bros. Records era, from 1988's Green to 2001's Reveal, as well as two new recordings and two songs from movie soundtracks.
American alternative rock band R.E.M. has released fifteen studio albums, five live albums, fourteen compilation albums, one remix album, one soundtrack album, twelve video albums, seven extended plays, sixty-three singles, and seventy-seven music videos.
It was released on the band's fifth full-length studio album, Document, and also as a 7" vinyl single in 1987. The song was their first hit single, reaching No. 9 on the US Billboard Hot 100, No. 14 in Canada, and later reached No. 16 on the UK Singles Chart in its 1991 re-release. The accompanying video's director was artist Robert Longo.
In a RTÉ review of the 25th anniversary edition of the album, R.E.M. stated the album was full of "big dumb bubblegum pop songs." [7] Green was envisioned as an album where one side would feature electric songs and the other, acoustic material, with the plan failing to come to fruition due to a lack of acoustic songs deemed fit for release.
"The record's biggest surprise, however, is its one surefire pop hit, "Everybody Hurts", an almost unbearably passionate argument against suicide. It sounds like a gigantic arena transfiguration of a '50s rock ballad, with Stipe's voice pleading over triplets and massed strings, and surely will be played on radio for generations to come, right next to unforgettable anthems like "Bridge Over ...