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101 is a live album and documentary film by the English electronic music band Depeche Mode, released on 13 March 1989 by Mute Records.It chronicles the final leg of the band's Music for the Masses Tour and the final show on 18 June 1988 at the Rose Bowl in Pasadena, California.
"An Old Hollywood Custom" music by Ray Henderson; lyrics by Lew Brown "Anaheim" by They Might Be Giants "...and a Song for Los Angeles" by She Wants Revenge "Andres" by L7 "Angel City" by Don Johnson "Angel City" by Gil Fuller "Angel City" by Megabass (act had a top 20 British hit in 1990 with 'Time to Make the Floor Burn') "Angel City" by ...
"Home in Pasadena" is a song with music by Harry Warren and lyrics by Grant Clarke and Edgar Leslie. [1] [2] In the song, the singer, about to travel to Pasadena by Pullman Train, describes the attractions of his destination. It was published in 1923, early in Warren's songwriting career, a year after his first published song "Rose of the Rio ...
An expected 800,000 spectators will flock to Pasadena, ... one language unites us all — music.” Follow live coverage of the 2024 Rose Parade ... including YouTube and Pluto TV.
Live in America is a two-disc live album by Neil Diamond released by Columbia Records in the summer of 1994. [2] [3] It reached number 93 on the Billboard 200 chart. [4]As with his previous live albums Hot August Night and Hot August Night II Diamond performed his old hits with his version of his 1968 song "Red Red Wine" rendered in a reggae style similar to the version done by UB40.
The album included a number of Ballard-penned ballads, including "She's A Runaway," "Tonight Is For Dreamers," "Honey," and "Don't Let Me Be Lonely," along with the upbeat "My Kinda Woman." "Cast The Spirit," which had originally appeared on Ballard's 1978 album At The Third Stroke , was a more hard-edged entry.
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The Associated Press felt the video release of the concert was much better than its original live stream on YouTube, and stated that the concert showed the band "well-rehearsed and in good form", although criticized how Bono's voice was "audibly hoarse" in several songs. [36]