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The Making of a Modern Japanese Architecture, From the Founders to Shinohara and Isozaki. Kodansha International. Sumner, Yuki; Pollock, Naomi (2010). New Architecture in Japan. London: Merrell. ISBN 978-1-85894-450-0. Takasaki, Masaharu (1998). An Architecture of Cosmology. Princeton Architectural Press. Tanigawa, Masami (2008).
A Japanese architecture firm which has pioneered “sustainable, user-centred design” has been awarded one of the world’s highest honours for architecture. The Royal Institute of British ...
Arata Isozaki: Isozaki was born on July 23, 1931, in Kyushu, Japan. He studied architecture at the University of Tokyo. In 1963 he opened up his own studio and was the leading architect during the postwar period in Japan. Isozaki's first building he worked on was the Ōita Prefectural Library (1966). [6] Kenzo Tange: Tange was born on September ...
The Imperial Crown Style (帝冠様式, teikan yōshiki) of Japanese architecture developed during the Japanese Empire in the early twentieth century. The style is identified by Japanese-style roofing on top of Neoclassical styled buildings; [1] and can have a centrally elevated structure with a pyramidal hip roof. Outside of the Japanese ...
En that cannot be enclosed by amado, or sufficiently sheltered by eaves, must be finished to withstand the Japanese climate. [3] Modern architecture often encloses an en with sheet glass. An engawa allows the building to remain open in the rain or sun, without getting too wet or hot, and allows flexible ventilation and sightlines. [4]
Modernist architecture in Japan. Pages in category "Modernist architecture in Japan" The following 28 pages are in this category, out of 28 total.
Japanese-Western Eclectic Architecture (Japanese: 和洋折衷建築, Hepburn: Wayō Se'chū Kenchiku) is an architectural style that emerged from the Eclecticism in architecture movement of the late 19th and early 20th century, which intentionally incorporated Japanese architectural and Western architectural components into one building design.
In the Azuchi-Momoyama period not only sukiya style but the contrasting shoin-zukuri (書院造) of residences of the warrior class developed. While sukiya was a small space, simple and austere, shoin-zukuri style was that of large, magnificent reception areas, the setting for the pomp and ceremony of the feudal lords.