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Barbara Williams (born October 19, 1953) is a Canadian-American actress. Williams has starred in the 1984 Paramount film Thief of Hearts, the 1988 film Watchers and the 1992 film Oh, What a Night. She garnered a Genie Award nomination for Best Supporting Actress at the 21st Genie Awards for Love Come Down.
One night, one of the items Scott takes is a diary belonging to the wife (Barbara Williams). Scott reads the diary and discovers that the wife, Mickey, an interior designer, yearns for a more interesting life. He quickly becomes infatuated with her. The diary is full of her fantasies and dreams, so Scott plans to turn these into reality.
Hot was a vocal trio based in Los Angeles, California, whose membership was Gwen Owens (born June 19, 1953), Cathy Carson (née Catherine Sue Fiebach) (October 8, 1953 – June 26, 2014), and Juanita Curiel (born February 25, 1953). [1] The group had a million-selling hit single in 1977 entitled "Angel in Your Arms".
The cover art of Ruffin's last album, Gentleman Ruffin, was the inspiration for the art of rapper Wiz Khalifa's mixtape Kush & Orange Juice. [7] In 2013, David Ruffin was inducted twice into the Rhythm & Blues Music Hall of Fame at Cleveland State University. He is inducted as a solo artist and member of the Temptations. [59]
Barbara Williams may refer to: Barbara Williams (actress) (born 1953), Canadian-born American actress; Barbara Williams (skating coach), American ice hockey skating ...
Two teenage boys are growing up in a small Canadian town in the summer of 1955. While their parents go about with their own concerns, the two develop an interest in girls.
In 1969 Barbara had been a backing singer on a recording by Rab Noakes. On Do Right Woman she returns the favour by singing one of his songs, "Turn a Deaf Ear". The first traditional song on the album is "The Garton Mother's Lullaby", which was re-recorded in 2005 on Full Circle. On "Returning" she sings the last verse in French.
Full Circle is an album by Barbara Dickson, released in 2004.As the title suggests, the album saw Dickson returning to her first love - folk music. It also marked the beginning of her musical partnership with Troy Donockley who arranged and produced the album.