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Typical live use of a multicore (thick cable on stage) Multicores usually create a link between the stage and sound desk, or live room and control room.When used in sound reinforcement, the multicore cable runs from the stage box or microphone splitter to the front-of-house sound desk, where it connects to a mixing console. [2]
† Although the mic input is usually mono, the input is still a TRS phone socket. Many mono 'computer' mics are fitted with TRS plugs. The tip is for the MIC and the ring is for power (to power an electret-condenser style MIC). There are exceptions to the above: Hosa cables use grey and orange for left and right analogue channels.
Many microphones operate at low voltage levels and some with high output impedance (hi-Z), which makes long microphone cables especially susceptible to electromagnetic interference. Microphone interconnections are therefore a common application for a balanced interconnection, which allows the receiver to reject most of this induced noise.
Condenser microphones span the range from telephone mouthpieces through inexpensive karaoke microphones to high-fidelity recording microphones. They generally produce a high-quality audio signal and are now the popular choice in laboratory and recording studio applications. The inherent suitability of this technology is due to the very small ...
Microphones used for sound reinforcement are positioned and mounted in many ways, including base-weighted upright stands, podium mounts, tie-clips, instrument mounts, and headset mounts. Microphones on stands are also placed in front of instrument amplifiers to pick up the sound. Headset-mounted and tie-clip-mounted microphones are often used ...
Two pins are used for the mono headphone signal and two pins for the unbalanced microphone signal. The 4-pin XLR connector is also commonly used on amateur radio microphones, but transferring unbalanced audio instead, and using the 4th pin (with the common ground) for a push-to-talk (PTT) circuit activated by a button on the microphone.
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