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Animal-made art consists of works by non-human animals, that have been considered by humans to be artistic, including visual works, music, photography, and videography. Some of these are created naturally by animals, often as courtship displays , while others are created with human involvement.
The William Farquhar Collection of Natural History Drawings consists of 477 watercolour botanical drawings of plants and animals of Malacca and Singapore by unknown Chinese (probably Cantonese) artists that were commissioned between 1819 and 1823 by William Farquhar (26 February 1774 – 13 May 1839). The paintings were meant to be of ...
Many details must be discussed between the artist and scientist before a final drawing can be completed, and additional preliminary drawings must be prepared in order to work out aesthetic details. Pen and ink (often a flex nib fountain pen) line illustrations are clean, crisp, clear, and inexpensive to produce, making them ideal for biological ...
Animals mainly have bilateral or mirror symmetry, as do the leaves of plants and some flowers such as orchids. [30] Plants often have radial or rotational symmetry, as do many flowers and some groups of animals such as sea anemones. Fivefold symmetry is found in the echinoderms, the group that includes starfish, sea urchins, and sea lilies. [31]
The term 'Trash Polka' was created in 1998 by Volker Merschky and Simone Pfaff at Buena Vista Tattoo Club in Würzburg. [12] The artists originally gave their work the name 'Realistic Trash Polka' because they combined realistic images (Realistic), with graphic, lettering and other artistic layers (Trash). [13]
Hyperrealist painters and sculptors make allowances for some mechanical means of transferring images to the canvas or mold, including preliminary drawings or grisaille underpaintings and molds. Photographic slide projections or multi media projectors are used to project images onto canvases and rudimentary techniques such as gridding may also ...
As an avid wildlife artist who disdained drawing from mounts or photographs, instead preferring to draw from life, Knight grew up drawing living animals, but turned toward prehistoric animals against the backdrop of rapidly-expanding paleontological discoveries and the public energy that accompanied the sensationalist coverage of these ...
A gorilla lifting one of the shutters at the zoo entrance to release a sea lion and birds with other animals looking out from inside. [4] It is the final image in the series. [4] The zoo later removed the original for safekeeping and replaced it with a replica. [14]